Tuesday, August 18, 2009

question 169: My biggest challenge is maintaining the relationships I've created once I get work. Any suggestions?

Sometimes, I save questions for when I'm in the perfect situation to answer them. It's 7:21am. No, I'm not usually up this early, especially when I'm on vacation (you substitute work). Yet, I know I have work to do to maintain my relationship with you. I've committed to blogging an answer to a question everyday. Therefore, I got up early this morning to do my work, before I go out and spend the day in wine country (you substitute on set ).

It's a decision you have to make. This blog will take me 15 minutes max, to write and post on Twitter and Facebook. What can you do in 15 minutes? You can call an East Coast contact (because it's 10:25 am there). You can email a contact and tell him/her that you're working and you wanted to make the time to see how his dog is feeling, if she got the job she'd been waiting to hear about, or if there's anything you can do to help him/her.

The BEST time to maintain relationships is when you're working because you're not calling to ask for work. So you can full-heartedly make it all about them.

The decision you make is what you have to look at. Are you deciding that you're too tired? Are you deciding you don't have time? Are you deciding that you choose to get immersed in your work and can't get in contact.

OR will you decide that you can find 15 minutes each day to reach out to someone? To get up 15 minutes earlier, reach out for 15 during a long "waiting-period" (you know what I'm talking about), find 15 minutes during lunch, and/or maybe even 15 minutes on your way home if it's a decent hour.

The choice is yours. You've got to decide what you're willing to commit to. My advice- commit to maintaining relationships while you're working (it's what all the cool kids do).

For more tips and articles by top entertainment industry career coach, the Greenlight Coach, visit www.theGreenlightCoachBlog.com

Monday, August 17, 2009

Question 168: I get motivated for a short time and do stuff and then I take off and then get motivated again. How do I act consistently?

This is an obstacle that many independent contractors encounter. People who have 9-5 jobs have a set schedule, an office destination, and accountability. Because you don't, you have to put systems in place. Accountability works for me. You have to figure out what works for you. Ask other successful independent contractors what they do, and try different methods until you find the one that works.

For more tips and articles by top entertainment industry coach, the Greenlight Coach, visit www.thegreenlightcoachblog.com

Sunday, August 16, 2009

Question 167: If I live in a small town and don't want to move to Los Angeles and want to work in the entertainment industry, where can I move?

It depends on the level/quality of work you want to be a part of. While Los Angeles is the entertainment hub, you can also find union work in New York, Orlando, Miami, Atlanta, and Chicago. Some cities in New Mexico, Colorado, North Carolina, Hawaii, Utah, and Louisiana have union work. Don't be fooled by the term "right-to-work state." Florida, which is a right-to-work state, has a very strong union presence. When in doubt, call your union.

If you're not in a union (yet), and the quality of work doesn't matter to you, there are filmmakers in most cities. Even in a small town, with a little bit of equipment, you can create content and a presence on the internet.

This is a pretty general answer, as I don't know what you want to do in the entertainment industry. If you have further questions, put them in the comment section.

For more tips and articles by top entertainment industry coach, the Greenlight Coach, visit www.thegreenlightcoachblog.com

Saturday, August 15, 2009

Question 166: what if people are discouraging me from sitcoms because it's too hard to break into?

What high demand job where you can make a lot of money isn't hard to break into? People who are successful are successful for a reason: Determination!

Okay, for more than one reason:
1. Determination/drive
2. Perseverance
3. Action in spite of fear
4. Willingness to do the work
5. A strong support system

And in many cases:
6. Talent/skill
7. Strong people skills
8. Willingness to learn
9. Going the extra mile
10. Belief in themselves

Feel free to add your own in the comment section. People can find reasons to tell you that you can't do something... that's easy. Your job is to find the people, who knowing your challenges, support your dreams and help you figure out "how" to make them come true.

Like I wrote yesterday: KEEP WRITING. The business part you can learn on the way.

For more tips and articles by top entertainment industry coach, the Greenlight Coach, visit www.theGreenlightCoachBlog.com

Friday, August 14, 2009

Question 165: I'm interested in writing for sitcoms but I need a day job in LA before I move there. It's a Catch 22. I can't even get a PA job. Help!

Okay. The advantage of being a writer is that you can have any day job and write during your free time. So, you can relocate out here, get a job in your current profession, and maintain financial stability while building your contacts to get an "industry" job.

PA work isn't really the most direct job for a writer because production assistants tend to be focused on production work. Ideally, I'd recommend (in this order):

#1: Writers' assistant on a show. This is the "PA" of the pre-production world. Here you'll be delivering coffee and scripts, depending on the show you could be in the writers' room, and you'll be in a good position to create relationships.

#2: An assistant for a writer with a deal.

#3 An assistant/intern for a production company that produces television.

For these jobs, like most, you really need to know someone. That's why I suggest you focus on getting a livelihood job, building relationships, and then going after an industry job. ALL THE WHILE WRITING. Always be writing!

For more tips and articles by top entertainment industry coach, The Greenlight Coach, visit www.theGreenlightCoachBlog.com

Thursday, August 13, 2009

Question 164: Is sending someone you kinda know a birthday card brown nosing?

Is it your intention to "brown nose" or do you truly want the person to have a happy birthday? It's all about the intention. It's okay to send a card for the double purpose of sending wishes and staying on the radar. Personally, I love to get cards. It's always nice to be remembered, and while Facebook birthday wishes are easy to send, the extra effort in sending a card usually doesn't go unnoticed. The more personal the card, the better.

For more tips and articles by top entertainment industry coach, The Greenlight Coach, visit www.thegreenlightcoachblog.com

Wednesday, August 12, 2009

Question 163: Yesterday you said to meet 100 people. How do you maintain all of those relationships?

Ah, great question! So you're at the DV Expo in September, you meet 300 people over the course of the 3 days, and from those, keep 100 cards because they are the people you "connected with." Now it's time to maintain the relationships. The key is to break it down into manageable chunks.

Here is a 7-step plan:

1. Take a few moments after meeting someone to write down personal notes on his/her card so you can easily remember what to refer back to.

2. Compose a general "nice to meet you" note.

3. Prioritize your business cards by people to whom you want to contact first.

4. Divide the follow up of 100 people by a 5 day work week (20/day) or 2 weeks (10/day) and divide the cards up accordingly into a neat piles of 20 or 10.

5. Plan the hour or two into your schedule for the week (or two)

6. During your scheduled time, personalize the general note for each person, based on your notes. This can be by email or in a greeting card*.
(*More personal, and my preferred choice, if there's a physical address on the business card. These can be bought in advance or even ordered with your name on them)

7. Send them out.

THE BIGGEST MISTAKE is asking for work or reminding them you're available in this note! Tempting as it may be, stop yourself. Create the relationship FIRST, work will follow.

For more tips and articles by top entertainment industry coach, The Greenlight Coach, visit www.theGreenlightCoachBlog.com

Tuesday, August 11, 2009

Question 162: I hear you're the Keynote speaker at the DV Expo. Very cool! You know I'm a director, should I go?

Everyone in the entertainment industry should go! It's a Digital Video Expo which means, anyone who works directly with digital video, wants to work with someone who works with digital video, and/or wants to meet someone who works with digital video AND may know someone you want to meet, MUST BE THERE.

Not only will there be cool techie stuff to check out, there will be educational programming (including yours truly doing the keynote speech on "the business side of the business"and a breakout room on "the keys to success at a networking event.")

And of course, in my book, the number one reason to attend the DV Expo is because it is an opportunity to network with thousands of people. That means that you can potentially add 100 new contacts to your contact list. In question 157, I was asked the "minimum number of people one should know." I answered 100. I broke that number down over twelve months. You can meet them ALL in 1-3 days!

Get your butt to the DV Expo!

For more tips and articles by top entertainment industry coach, The Greenlight Coach, visit www.thegreenlightcoachblog.com

Monday, August 10, 2009

question 161: What do I do with the contacts I met at ITV Festival?

You follow up with them. It takes 3 conversations to create a relationship. You've met them once, now you have to have 2 substantial conversations (where you don't ask for work), over the next two months, in order to maintain the relationship.

Contact them regarding something you spoke about or ask for some business advice and guidance. If anyone asked you to send something to them, be sure to do it!

Keep notes on your contacts and conversations.

For more tips and articles by top entertainment industry coach, The Greenlight Coach, visit www.thegreenlightcoachblog.com

Sunday, August 9, 2009

Question 160: I'm an actress and my boyfriend doesn't want me to kiss anyone in a scene. Is this normal?

I TOTALLY went through this when I graduated college and my boyfriend at the time didn’t want me to kiss guys during my scenes in acting class. Yes, it’s normal. No, it’s not realistic. You may get cast in a role where you have to kiss someone. It’s your job. If you’re kissing Brad Pitt, it’s one of the “perks” of your job. Kidding… no I’m not.. yes I am.. sort of…

You always hear actors say, “it’s not romantic/sexual at all. You’re surrounded by people… etc. etc.” Here’s the thing, I did a film where for weeks in rehearsal I was SO attracted to my co-star, I couldn’t wait for the scene where I got to kiss him! I think we did two takes and the kiss was as sexless as a high-five from a bag lady (yeah, I don’t know what that analogy means either, it’s late). The irony is, what the “significant others really should be worried about is the intimacy and attraction that can form between actors when they are playing parts where they are in love (or lust). The job of an actor is to really feel the feelings of love and the line between feelings can get blurred. So, the kiss should be the least of your boyfriend’s worries. But don’t tell him that, because that won’t help your cause. Trust is the key to a good relationship… I think. Who knows, that’s why I’m a career coach and not a relationship coach. Good luck with this one.

For more tips and articles by top entertainment career coach, The Greenlight Coach, visit www.TheGreenlightCoachBlog.com

Saturday, August 8, 2009

Question 159: How do I get someone who is working for free to get me the work faster?

You really have no leverage when you’re not paying someone. They are working for free which probably means they have other work to do to bring in an income. If you have a deadline, pre-frame that up front, discuss the schedule in detail, and be sure they can agree. Have a back-up person just in case.

You are not the only one with this question. The key is good communication and having back-up plans so you don’t get frustrated with a person who is trying to help you. You also have to know when it’s time to pull the project from the person and go to your back-up plan. If you wait until the very end, when there’s just a little to do, people can get very sensitive about sharing a credit. I repeat, good communication.

For more tips and articles by top entertainment career coach, The Greenlight Coach, visit www.TheGreenlightCoachBlog.com

Getting Jobs in Entertainment question 1280: I grew up in India and as a result English is my second language (cont'd)

"I grew up in India and as a result English is my second language. I  am looking to improve my comprehension when I read my text book...