Sunday, August 8, 2010

entertainment industry coach Question 522:How do I get my script in the right hands without being played?

Start with protecting your script by registering it through the Writers Guild www.WGA.org. You don't have to be a member and you can do it online. That registration number will go on the first page of your script so people reading it will know you're professional enough to protect your work.

Next, know that legitimate production companies won't accept unsolicited material. Therefore, you either need to get a literary agent or an entertainment attorney to submit your work for you OR you can send them a brief synopsis of your script. The latter, is if they accept an unsolicited synopsis, which many do, and then they will request your script if they are interested.

Finally, the only way you can guarantee that your ideas won't be stolen, is not to share them with anyone. But of course that means your script will never be bought. Many mentors of mine, have told me that you have to be willing to take risks and that if you're a writer with only one idea, you're not a writer.

Do with that what you will.

For more tips and articles by top entertainment industry career coach, The Greenlight Coach, visitwww.TheGreenlightCoachBlog.com

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Saturday, August 7, 2010

Entertainment industry coach Question 521: Is it okay to have a template mentor letter to send out to different people or should each be unique?

A template is just that... a template. It is your job to personalize each letter so that the person really feels like you are writing specifically to them (which you are, because there's something to be learned from each person). This particular person sent 3 letters to 3 people in the same company and only changed the name. It's too late now, but that is a no-no.

The whole reason for asking someone to mentor you as opposed to simply asking them for an "informational interview" is to make them feel special. That's how you create the win/win. This is not something to be lazy about. Suppose Apple or Coke or Nike got lazy about their advertising because they were doing well? There competition would clobber them and they'd disappear into obscurity. You have to take the time to do your business work properly, with thought and care. It reflects on how you do your job.

Now, all that said, don't beat yourself up over what's done. That's the past. Learn from this and move forward.

For more tips and articles by top entertainment industry career coach, The Greenlight Coach, visitwww.TheGreenlightCoachBlog.com

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Friday, August 6, 2010

Entertainment industry coach Question 520: How can I talk to Warner Bros. about a movie version of a vid game they own rights to?

You need a connection. Regular "Joes" don't get into Warner Brothers to discuss movie rights to WB properties. Either a literary agent, an entertainment attorney, or a production company would be your best bet to getting you in the door. How do you get to them? Again... connections. Whom do you know who is connected to one of the above? If no one, you're going to have to go back to the beginning of my blog and start reading on how to build relationships in the entertainment industry from where ever you live.

For more tips and articles by top entertainment industry career coach, The Greenlight Coach, visitwww.TheGreenlightCoachBlog.com

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Thursday, August 5, 2010

entertainment industry coach Question 519: How do I get funding for my film?

Ah, the million (or multi-million) dollar question. There are countless ways. This is where out of the box thinking has made it's mark. I've read articles about a filmmaker who asked all of the dentists in his hometown for the money, and about the filmmaker who sold t-shirts to raise the money. There are more traditional ways to find investors who are looking to invest in films.

It sounds like you are at the very beginning of the process, so you have to decide if you want to go the creative, outside of the box way, or invest in a program that teaches you how to get funding for a film. They may have classes at UCLA extension and I know there are speakers who address this topic. The reason for these courses is because you need to have a lot of material and statistics including a budget and marketing plan before you even think about presenting to serious investors.

For more tips and articles by top entertainment industry career coach, The Greenlight Coach, visitwww.TheGreenlightCoachBlog.com

To stay current on The Greenlight Coach's speaking engagements, recommendations, and work success articles, sign up for her free newsletter at the top of the page and get a great bonus 1-hour MP3 on creating powerful business partnerships when you do!

Wednesday, August 4, 2010

entertainment industry coach Question 518: Where can I meet Editors?

If you live in LA, they're all over the place. I'd start at the Editors Guild and then work your way to Film Independent and then go with referrals and social media.

It's also going to depend on why you want to meet Editors. If you want to hire them, they're going to be really easy to find. If you want to be hired by them, then it may take some time.

If you don't live in LA, you can still check with the MPEG because it's national, as well as any local filmmaking organizations, and social media.

For more tips and articles by top entertainment industry career coach, The Greenlight Coach, visitwww.TheGreenlightCoachBlog.com

To stay current on The Greenlight Coach's speaking engagements, recommendations, and work success articles, sign up for her free newsletter at the top of the page and get a great bonus 1-hour MP3 on creating powerful business partnerships when you do!

Tuesday, August 3, 2010

entertainment industry coach Question 517: Can YOU teach an "old dog" new tricks?

Yes I can, and yes I have. The key is that said "old dog" is willing to learn the new tricks. Like most dogs, if he likes treats, he has to obey to get them.

Okay enough with the dog metaphors. My newsletter went out today and its title was DOG PARK Are You Sniffing Around for Jobs in Entertainment? So I have dogs on the brain and you just played right into it.

Back to your question. Many industry veterans have come to me when they got to a point where they realized they had been fighting against change and lost. They wanted me to teach them new ways of generating work. Most took the new tools and ran with them and because of their stellar career had no problem re-emerging into the industry. Others, however, preferred that I do the work for them, or give them a magic bullet. They really didn't want to have to do things differently than they'd always done it. Why? Because who wouldn't like to have a career where the phone rings because people are seeking you out. Unfortunately, these industry veterans are still sitting by their phone waiting for it to ring... and it's not ringing.

Don't make the same mistake. Be open to learning new ways of generating work. Embrace fabulous, free ways to network like Facebook. Be willing to ask for help. And continue to ask questions.

For more tips and articles by top entertainment industry career coach, The Greenlight Coach, visitwww.TheGreenlightCoachBlog.com

To stay current on The Greenlight Coach's speaking engagements, recommendations, and work success articles, sign up for her free newsletter at the top of the page and get a great bonus 1-hour MP3 on creating powerful business partnerships when you do!

Monday, August 2, 2010

entertainment industry coach Question 516:I've been posting videos on Twitter and no one's watching. Why?

Well, after researching this, your title was "Watch This Strange Video." That screams SPAM!!!! CLICK ON ME I'M A VIRUS!!!!!

You need a better title. I've received videos from trusted clients and friends that say, "Watch this, it's funny." And I've written back and asked if it was really from them or a virus. Opening links and downloading files can be very risky. If a virus attacked my computer... I can't even think about what it would do to my business.

Okay, I need to breath and shake that thought off. SO you need a new title. The video is your reel with sci fi and horror, so yes, it is strange and I get you're trying to brand yourself that way BUT, a title like "feedback on my reel please," may get more views.

And, really, is Twitter the most effective way to get your reel seen? Maybe not at this point in Twitter world. Do you really want feedback from people whose credentials may not be up to snuff? A targeted campaign to people who can effectively contribute to your career is something to highly consider.

For more tips and articles by top entertainment industry career coach, The Greenlight Coach, visitwww.TheGreenlightCoachBlog.com

To stay current on The Greenlight Coach's speaking engagements, recommendations, and work success articles, sign up for her free newsletter at the top of the page and get a great bonus 1-hour MP3 on creating powerful business partnerships when you do!

Sunday, August 1, 2010

entertainment industry coach Question 515:How do I get a job as an extra in music videos?

Central Casting is one of the biggest Extra Casting Agencies. You can also look at la411.com and newyork411.com to find additional Extra Casting agencies. Union productions require a certain number of Union background artists before they can hire non-union extras. You will need a headshot and eventually a resume. To build your resume, volunteer to do extra work for student films and short films where you live. Some Extra Casting Agencies only require a picture which they take themselves and put in a book for people who are hiring extras for TV, Film, Music Videos, & Commercials. If you don’t live in an entertainment hub such as NY, Los Angeles, Chicago, Miami, or one of the other city/states where there’s a tax incentive, you may consider moving to where the work is.

For more tips and articles by top entertainment industry career coach, The Greenlight Coach, visitwww.TheGreenlightCoachBlog.com

To stay current on The Greenlight Coach's speaking engagements, recommendations, and work success articles, sign up for her free newsletter at the top of the page and get a great bonus 1-hour MP3 on creating powerful business partnerships when you do!

Saturday, July 31, 2010

entertainment industry coach Question 514: How do kids/teens get acting jobs?

I have two very eager Twitter Followers with lots of questions about getting into acting. One excited young lady would like to be on the Disney Channel and the other is a mom who wants to get her son into the biz. Because they are both starting from scratch, I will give some basic starter-uppers:

1. Location: One lives in Alberta, Canada the other in NY, although I don't know how far from NYC. For Canadians, visit ACTRA and for my young New Yorker, you want to go to SAG. The Unions will give you and your parents valuable information, list of agents, and advice on steering away from scams that take advantage of artists looking "to be discovered." Many parents whose children have an agent, take them to Los Angeles during pilot season to audition for television pilots. Although these days it's possible to put yourself on video and send the link to Casting Offices.

2. Agents: Is it important to have one? Yes. They give you the "stamp of approval," have connections with studios and casting offices, and have access to the breakdown services that announce the roles for auditions. Is it something that you go after first? Not necessarily. You may want to research the "business side of the business" first, so you can approach an agent in the most knowledgeable and professional way.

3. Headshots: If you visit IMDB.com and put in a actor/actress' name (not the most famous ones because they don't need headshots. Try a secondary character on a show you like) you will see a a picture. This is a headshot. Click HERE to see mine. They are submitted to agents and casting directors. These are NOT glamour shots. You want to look like your headshot. Nothing upsets people more, than when they call you in based on your picture and it looks nothing like you. Call an agent and ask what they require as far as a headshot if you don't live in a place where there are professional photographers. They may suggest you send some personal photos and if they want to work with you, they may make arrangements for you to work with a photographer they know.

4. Unions: I mentioned them in #1. Unions protect child actors. They are very informative and have business representatives and member services departments who can answer questions before you make any decisions.

5. Attitude: While there are union regulations that monitor child actors' work hours and study time, child/teen actors are expected to be professional, know their lines, be directable, and have a good attitude. While acting looks like fun (and it is), it's also hard work. There are many adults doing jobs that you won't understand. Their jobs and reputations are on the line if a shot/scene isn't done on time. Therefore, they are depending on you to know what you're doing.

There is a lot more to learn. Obviously I can't fit this all in on a tweet, so feel free to visit my website at www.TheGreenlightCoach.com. There is another blog there, as well as the 513 questions answered before this one. I'm here to answer questions and direct you to helpful resources.

For more tips and articles by top entertainment industry career coach, The Greenlight Coach, visitwww.TheGreenlightCoachBlog.com

To stay current on The Greenlight Coach's speaking engagements, recommendations, and work success articles, sign up for her free newsletter at the top of the page and get a great bonus 1-hour MP3 on creating powerful business partnerships when you do!

Friday, July 30, 2010

entertainment industry coach Question 513:Hi Coach, did you have anything to do with Project Greenlight?

I do not. In the entertainment industry the term "greenlight" refers to getting the go ahead on a project. Everyone wants the "greenlight" for their project. Therefore, as a career coach for entertainment industry professionals, who relate to the term "greenlight," I chose the name because I help them "greenlight their careers."

PS I loved the show Project Greenlight and had many clients who worked on it in different capacities.


entertainment industry coach Question 512: I have an idea for an episode of a show that I'd like to present to the producers, how?

That's taboo. When people want to write for a show, they give a spec of a different show. Unless you get a pitch meeting with them to pitch your idea. They wouldn't be allowed to read a spec script of their own show. Reason being, what if they had a similar story line already in the works. You could say they read your spec or pitched your idea and they stole it. There's a lot of politics around discussing an idea for a show with the show producers. That's why most people do it through agents. I'm not saying it's impossible, I'm just saying that the majority of the time, that's how its done.

For more tips and articles by top entertainment industry career coach, The Greenlight Coach, visitwww.TheGreenlightCoachBlog.com

To stay current on The Greenlight Coach's speaking engagements, recommendations, and work success articles, sign up for her free newsletter at the top of the page and get a great bonus 1-hour MP3 on creating powerful business partnerships when you do!

Getting Jobs in Entertainment question 1280: I grew up in India and as a result English is my second language (cont'd)

"I grew up in India and as a result English is my second language. I  am looking to improve my comprehension when I read my text book...