Sunday, May 15, 2011

Getting Jobs in Entertainment question 806:How do I meet the right people when I don't live in Los Angeles?

An actor from Florida recently asked if I could help him break into the industry. I told him that I help people to help themselves and then I asked him what he thought his obstacle was to breaking in. His answer was "meeting the right people."

Because he's an actor, I'm going to answer his classification specifically, so for those of you who aren't actors, just insert your classification and ask yourself the same questions.

And just so all of you understand, I am a coach, which means, like in sports, I can coach you but I can't play the game for you. In other words, I can answer your general questions here, I offer products and services on my website for you to invest in for your career development, and beyond that, it's ultimately up to you to implement. There are no "quick fixes" or "magic bullets" to making it in entertainment. Not only must you master your craft, you must also treat your career like it's your company of which you are the CEO. And if you want to hire a consultant for your company, that's where I come in. The business tools that the CEO of Under Armour or Steve Madden (voted top small businesses on Forbes 2010 list) use are the same tools you should be using. If you don't know what they are, that's why I'm here.

Back to meeting the right people. The first thing I would have you do is get specific about "who the right people are for you." You live in Florida and you're an actor. Therefore, the right people are most likely Casting Directors who work in FL, anyone who works on the shows that shoot in FL like Burn Notice and The Glades, and other working actors living in FL.

So your first step is to create a Target List of these people.

Note: If you were thinking "the right people" are Steven Speilberg or J.J. Abrams, think again. While it would be great to know these guys, they are not the "next step people" for you.

The second step is to make the first contact to the people on your Target List. This can be done in a multitude of ways, some being: write to them for mentorship, reach out to them with a personal message on social media, through events and networking, get referrals to them from the people you know.

The third step is to create a relationship. People have to know, like, and trust you before they invest their time into being a part of your success, and to hire you, add 'care about you' to that. It takes 3 conversations to create a relationship, and I suggest you have them within a 3 month period. If you talk to someone once for two hours and they give you career changing advice and you don't call them again for 8 months, chances are they won't exactly remember you, and it's nothing personal. Successful people meet new people all of the time and if they talk to you for two hours, they're talking to a lot of people for two hours.

Now, if you want to start building relationships with people in Los Angeles or New York, you can use the same steps, they will just be done over the phone or through email. I advise that people who eventually plan to move other productions cities grow their contacts there before making the move. In the mean time, being in FL provides plenty of opportunity for an actor to work, so build your credits locally while simultaneously building your business.


For more tips and articles by top entertainment industry career coach, The Greenlight Coach, visitwww.TheGreenlightCoachBlog.com

Saturday, May 14, 2011

Getting Jobs in Entertainment question 805:do you know of any good sites that show broadway auditions (including tours)?

Any time you want to research something, in this case auditions for Broadway shows and tours, the easiest way in this time of the internet is to use that site with the funny name... Google.

The more specific your search the better results you'll get. I googled "broadway show auditions 2011" and found www.broadwayontour.org/audition.htm which is for Orange County. So you may want to google "broadway show auditions 2011" with your town or New York if that's what you want to be.

Friday, May 13, 2011

Getting Jobs in Entertainment question 804:are there big networking events that get actors, directors, casting directors together like a convention?

the question continued....."How do I find them?"

The answer is yes, Yes, YES! There are many conventions like ShowBiz Expo, Actor Fest, there are others that aren't necessarily targeted to actors specifically, like the Produced By Conference which has a stellar line-up of producers, tv writers, and more, which is coming up soon in Los Angeles.

The way to find them, is to visit actor hub-sites, like ActorRated.com which has a calendar, and Actors Ink. For a more general search you can google actor conferences, show business conferences, or writer conferences like June 4th is The Great American Pitchfest in LA where I'll be speaking (say you're a friend of mine and get a discounted entry fee). You can get more specific by googling actor conferences in (insert your city and/or state).

If you're in Los Angeles or New York, the big conventions definitely come there. If you're not, you may have to travel.

As always, with big conferences, it's important to have a strategy plan. Going to a conference and handing out Head Shots, is not a plan... it's a waste of time and paper.

Another place where all these great people come together is at film festivals. Again, you want a strategic plan for attending a film festival to make it worth your time and money.

Tuesday, May 10, 2011

Getting Jobs in Entertainment question 801:How do I work when I'm uninspired?

Maybe you don't. Maybe you're uninspired because you need a break. Or maybe you are inspired but are afraid of what will happen if you work through the fear. You reached out to me, therefore you want answers, you want more. Know what your big picture looks like. Where do you want to be in ten years? Who do you want to help? What change do you want to create? What is your purpose? Knowing these answers may not inspire you at the moment, but they keep you reaching out to people like me. They keep you in the game. Maybe that means that you take a break, or maybe it means pushing through even when you're uninspired. Just because you're not inspired doesn't mean the journey is wrong. Continue to ask for help and for answers. You may find them in the most unexpected people. And have faith that you will be inspired again.

Monday, May 9, 2011

Getting Jobs in Entertainment question 800:How do you pitch a character for yourself to a show?

The question was more detailed: "I went to the Glee Event at Paramount last week. The producers/writers were talking about adding new characters to the show for next season. It made me think of a character. How do you pitch a character? Who do you pitch it to? What's the proper way and more important what's the worst way?

First, let me say that all shows are different, so the "who to pitch to" is on a show to show basis. Which is why one good resources is

1. To get TV writer/producer mentors if you don't know how to get a mentor check out The Greenlight Mentor Program.

Here are some more ideas:

2. Through an agent if you have one, who has a relationship with someone on the show.

3. Through referrals from people you know to the people they know who work on shows. Now keep in mind that many writer/producers can't listen to unsolicited pitches because if they come up with a similar character they don't want to be sued.

4. Write a spec script for a DIFFERENT show, using the character you created. So find a teen show and write an off beat spec that includes your singing character. The reason I say write a script for a different show is because, if you write a Glee script, they most likely won't read it. But if you write a fantasy 90210 where someone trips on payote and has a "musical vision" with your character in it... could be cutting edge... or could be lame like the Glee induced Grey's Anatomy Singing episode GAG! So get some feedback from good writers before submitting it.

5. Create a video blog or webseries about your character. I'm doing a FREE seminar on June 9th from 2-5 in Los Angeles on just this topic. "Creating your Own Webseries" I will do a 'fill in the blank' content creation workshop so all you have to do when they leave will be Press Record! Annnnnnd.... I'm going to have People Magazine contributor Paula Chaffee Scardamalia, the dream coach to the stars, join me, to help you connect with your creative writing muse. It's for actors, writers, and anyone who wants to put a team together to create web content to brand themselves. If you're an actor who can't write, maybe you'll learn how OR maybe you bring a writer with you to the seminar. The beauty is you don't have to be a writer. There will be details in my newsletter tomorrow, so if you don't get it, sign up for free at TheGreenlightCoach.com. If you know you're interested now, send an email to events@thegreenlightcoach.com SUBJECT LINE Webseries seminar RSVP

Now, as far as the worst thing you can do: Be unprofessional. No one wants a "stalker" or someone who hasn't done their research. Don't send unsolicited material. Don't do 'crazy antics' to get attention, while it's important to take risks, they should be calculated risks and representing yourself in a way that gets a producer's attention as someone he/she wouldn't want on their set is not good. Do not show up at their house or production office in your costume and start performing. Note: these are my opinions. You may hear a cooky story about someone who dressed up in full knight armor and got a job on a period piece, but these stories are 1 in a million, and I don't coach to those odds.


For more tips and articles by top entertainment industry career coach, The Greenlight Coach, visitwww.TheGreenlightCoachBlog.com

Sunday, May 8, 2011

Getting Jobs in Entertainment question 799:Can anyone work in entertainment?

If Dog the Bounty Hunter and Snooky can, then I would have to say the answer to that is yes. It depends on what you want to do, but if you have no specific preference, there is something for everyone. The more into a craft/art/skill you target, the more of an education/natural gift/tools you need. But there are plenty of positions that don't require an education, natural gifts, or extensive tools if you just want to be a part of the team that makes the magic happen.

The one thing I will say is that anyone can work in entertainment if they are willing to be located where movies/TV etc., are being made. You can't expect to work in entertainment if you're living in a small village in a third world country and you're not willing to move. That's even extreme. You can live in a small town in the US, and never work in entertainment if you're not willing to relocate. Although, even that may not be entirely true, because I've got to assume that Snooky crawled out from under a rock... to say she was raised in a barn would be an insult to all of the good farmers out there feeding our country. But I think you get the point...

Saturday, May 7, 2011

Getting Jobs in Entertainment question 798: Is it possible to have a full time job and pursue a career in entertainment?

Is it possible? Of course. You definitely have to master the art of the 80/20 principle in that you want to be doing 20% of your work for your entertainment career and have 80% results coming from that focused work. I had a full time job for 11 years and wrote screenplays, auditioned, produced 1 pilot and 4 episodes of a television show, acted in projects, directed a short, and on and on.

It's about time management. When you get to the point that your entertainment career needs more time than your full time job permits, that's what I refer to as an A-list problem. Give me a call then and we'll work it out.

Friday, May 6, 2011

Getting Jobs in Entertainment question 797: I'm a mom and I wonder if it's unprofessional to bring my baby to commercial auditions?

I know of a few babies who have lofty college funds because their moms took them along on an audition and the mother and baby both got cast.

If you audition a lot commercially and you're in the "mom-range" I'm sure you see babies all the time. But since you're asking this question, I'm guessing you don't audition a lot and you're afraid to put yourself out there because now you have a baby.

The best solution is to find a friend who can come with you and take care of the baby while you're in the room. This way if the baby gets fussy, your friend can go for a walk outside of the casting office. BUT, just in case they're looking for a mother/baby team, it could be a great opportunity having your baby there. And you'll certainly feel a lot more comfortable auditioning with your own child than a strange baby.

Disclaimer: If you do not have a friend who can come with you, it would not be professional to tote your baby into your audition- especially, unannounced. Nothing worse than improving with a guy who's supposed to be your husband and you're deciding if it's time to start a family and your baby in the corner starts crying.

Thursday, May 5, 2011

Getting Jobs in Entertainment question 796: Why don't people help each other in Hollywood? They're always looking out for themselves!

Wow! That's a limiting belief if I ever heard one. Who are these "people" to whom you refer? Because I've met lots of people who like to help and aren't looking out only for themselves. A typical coaching question is: What are you doing to attract people who don't want to help you? Or who are you being that people don't help you?

I know, I know, you don't want to hear that. You don't want to take any responsibility for what's happening because these "people" to whom you refer are awful and only looking out for themselves.

As a "person" in Hollywood, who not only looks out for others but has blogged for 796 days straight, to help you (I don't get paid for this), who has interviewed people who want to help you (and didn't get paid for it), and who's met hundreds of people who've helped me along the way, all I can say is this: YOU'RE HANGING OUT WITH THE WRONG PEOPLE!

Wednesday, May 4, 2011

Getting Jobs in Entertainment question 795: How do I sell an idea for a script or project?

This is a GREAT question for mentors. If you have questions about mentors, let me know.
So, for now:

1. Know that you can’t protect an idea, so you have to be smart about it. You can protect a script and a bible for a project... to an extent.

2. Know who you want to sell to. Do your research. Make sure the company who has produced your genre in the past is still interested in the genre.

3. Know that there are proper channels to take when submitting material. If you have representation, they will set up pitch meetings for you. If you don’t, you may be able to get an entertainment attorney to submit for you.

Getting Jobs in Entertainment question 1280: I grew up in India and as a result English is my second language (cont'd)

"I grew up in India and as a result English is my second language. I  am looking to improve my comprehension when I read my text book...