Question 56: How long does it realistically take to make it as a screenwriter?

First, let me re-phrase that question to add in any classification in the entertainment industry. Then let me give you the answer you may not want to hear, but it's the answer you need to hear.

There is no realistic time table, in fact there's no time table at all. I'll go even further to say there's barely a measure of someone who's "made-it." I work with Oscar and Emmy winners who are out of work. People who you view as successful, are scared of losing the ground they've gained. You've watched huge names like Travolta, Roberts, and Rourke go from huge to vanished to huge again...

Some people vanish and never make it back, some people make it, yet aren't a "household" name. So what's a person who needs more stability to do?

1. Define what "making it" means for you, so you'll know when you're there.

2. If you need a timetable, decide that. If you don't want to put a timetable on your success, plan for additional streams of income so that money is never forcing you to give up on your dream.

3. Treat the business like a business. No lame excuses for not knowing what to do. You have ME to tell you. Too many people "wish they'd met me when they first started pursuing their career." It's unfortunate I was a toddler then, but nonetheless, I'm here now and armed with information.

4. Invest in yourself and your career.

5. Surround yourself with experts.

To your success...

For more tips and articles by top entertainment industry coach, The Greenlight Coach, visit:

www.theGreenlightCoachBlog.com 

Question 55: Can one get a steady job in the entertainment industry?

Is any job really steady this day and age? For the most part, positions in the entertainment industry are freelance. There are some studio and agency jobs that are contract jobs, but the reality is, nothing is truly stable in this industry. 

Some people are fortunate enough to get on a series that lasts for ten years. They, unfortunately,  have their own set of complaints.

If you were a teacher or a janitor and had tenure, your union would protect your job. In the entertainment industry, a union protects your contract and safety. An entertainment union can not guarantee/secure a job for you. Basically, you are a business owner, so the success of your business depends on you. 

Knowing this, I suggest multiple streams of income.

for more tips and articles by entertainment industry coach, The Greenlight Coach, visit www.thegreenlightcoachblog.com 

Question 54: What do you do when your family doesn't get/support what you do?

This is a tough scenario. I've coached a lot of husbands whose frustrated non-pro wives, give them ultimatums, young adults whose parents "give them a few years," and friends who joke "Are you still doing that (insert your talent here) thing?"

Creatives are very sensitive people for a number of reasons:

1. They constantly feel judged

2. Their work is an extension of themselves

3. They don't always get rewarded with money

4. They have a dream that not only seems like a fantasy to non-pro people, they also have a talent that tears them up inside if they can't share it

5. Insert your reason here: __________________________________ 

There is a solution-- a great one. You must share with your loved ones and friends only the bits they can understand. For the rest, you MUST seek out people who are beyond where you are now, who know what it takes to succeed, and most importantly, can see you BIGGER than you can see yourself. 

If your wealth is the sum of the 5 people you spend the most time with... the sum of your success can also be measured by the 5 people you spend the most time with. In other words, if you spend a lot of time with people who see your great potential they will continue to lift you up. If you spend your time talking about your goals to people who don't get them, they will discourage you, not from a bad place, but because they want to protect you. Sheltered people don't soar... find people who will push you to your greatest heights!  

Question 53: Question: How do I stand out?

You already do, you just have to own it. Every person brings his/her uniqueness to what he/she does. Where you get stuck is when you’re in the presence of someone who can hire you, or who impresses you. All of a sudden “you” leave the room. You start trying to be someone you’re not. You start saying what you think people want to hear. Be yourself. You won’t click with everyone, but you will click with people who have likeminded sensibilities and that’s what great careers are built upon.

 

Question 52: Do you have to live in Hollywood to have a successful career in entertainment?

You don't HAVE to do anything. How successful do you want to be? If you wanted to be a ski instructor and you lived in Miami, Florida (snow ski, not water ski), how successful could you be? I don't recall the last time there was snow in Miami. 

If you're an actor, would you be satisfied doing community theater? If you're a producer or director, would you be satisfied making movies with your own camera using local non-union crew & talent? If you're a writer, would you be satisfied writing your heart out and not having access to the people who can buy your scripts? 

Are you getting the picture? When you are breaking into an industry, you want to be in the heart of it. Now, there are other 2nd, 3rd, 4th, place markets where a union member can make a decent living. So, it's up to you. How successful do you want to be? How committed are you to that success? What sacrifices are you willing to make? I grew up in NY, perceived as the #2 market. Two top agents told me to move to Los Angeles. I left everyone I knew and loved, and it's paid off.

The choice is yours for the making.

For more tips and articles by entertainment industry coach, The Greenlight Coach, visit www.thegreenlightcoachblog.com  

Question 51: Is it difficult crossing over from television to film, or vice versa?

Back in the day, you were one or the other. In recent years, the business has changed and people go back and forth. Is it difficult? That depends. Do you have solid relationships with people who can hire you in both? Do you have individual marketing materials for each medium? Do you have a recognizable name? 

If you didn't answer yes, to any of the questions, it can certainly be a challenge. Now you know what's missing, and you can work to build in those areas to make the cross-over easier. 

For more tips and articles by entertainment industry coach, The Greenlight Coach, visit: www.theGreenlightCoachBlog.com  

Question 50: I read your list of people to get referrals to on page 79 but how do you ask for them when people are so competitive?

This was a question from one of the people in my teleseminar series.  I addressed it on the call today and thought I'd share it with everyone.

Here are my suggestions for asking for referrals: 

1. Ask people you’re not in direct competition with. Who else knows the classification of people you're trying to meet?

2. Explain clearly, what you want to speak to their contacts about. Many times people aren't sure why you're asking for the referral, so they are resistant. Be sure to give them a reason they can say yes to.

3. Have an upbeat energy when you’re asking, a mindset of possibility. If you sound like you're apologizing for asking, or have any negativity in your tonality and/or physiology, people pick up on that. They want to help people who are confident and upbeat.

4. Be prepared (have a target list). Straight out of Jerry Maguire - help them to help you. 

5. Know your objections before and have an answer prepared. If people have said no in the past, know why and address those objections in the future either directly or change how you're asking for the referral.

For more tips and articles by entertainment industry coach, The Greenlight Coach, visit www.thegreenlightcoachblog.com

And to join the teleseminar series, visit www.thegreenlightcoach.com 

Question 49: How do I choose a mentor?

This came to me in the comment section of question 47.  The answer: Not as carefully as you may think.

Remember, when I'm suggesting you pursue mentors, I'm referring to "business advice and guidance" mentors. Everyone who has reached some level of success can give you new information. You can even learn from unsuccessful people (though it's not the most strategic way to go). I love to watch the crowd swarm the guest who spoke at a Q&A and see all the mistakes people make. 

Therefore, if you can learn form the good and the bad, anyone can be a potential mentor.  That said, you'll get to where you want to be faster, if you're strategic in who you choose.  The mistake that most people make, is getting too caught up with choosing the perfect mentors. This is a waste of time. Set a goal to choose a specific number of mentors by a specific date and if by that date you're 2 people short, close your eyes, open a directory, and point out 2 names.

Helpful tips for choosing mentors (yes, I suggest you get MANY):

1. Choose people who have taken a path you'd like to emulate 

2. Choose people who know the types of people who hire you

3. Choose people who hire people who do what you do

4. Choose people you've seen do Q&As or volunteer somewhere (that means they like to give back)

5. It's okay to go after A-listers AND have some "safe-schools" (people who will likely say yes)

For more tips and articles by entertainment industry coach, The Greenlight Coach, visit www.thegreenlightcoachblog.com    

Question 48: How do I find representation?

Before spending valuable time on seeking representation,  do an honest evaluation of where you are in your career.

Are you making enough money to make you attractive to an agent and/or manager?

Are you so busy with work that you can't manage your own career?

Are you highly marketable (examples: just won an award, created buzz at a film festival)?

If you answered YES to any of those questions, then it may be time to seek representation- if they're not already coming for you. Here are some tips on seeking representation:

1. Do your research: choose 10 agents/managers that are a smart fit for you

2. Find out who else is represented by them, to see if you have a contact on the inside who can bring you in/refer you

3. Have contacts make calls on your behalf

Just as a note:

Agents get +10% because they do +10% of the work. YOU are 100% responsible for your career! Don't expect an agent to be the magic bullet who will propel your career. An agent is a great team member to have and a "stamp of approval" on your resume & reel. Keep doing your "business." 

For more tips and articles by entertainment industry coach, The Greenlight Coach, visit www.thegreenlightcoachblog.com 

Question 47:It seems like every successful person took a different path to become successful. How do I know what the right path is?

Unfortunately, there is no "right path," no clear ladders to climb, no rule book. 

Fortunately, that means you can choose your own path, build your own ladder, make your own rules. 

My suggestions for doing this are:

1. Get mentors. Plural. Get advice from as many successful people as you possibly can

2. Compare their advice and decide what fits you best

3. Take action

4. See what works what doesn't work

5. Keep doing what's working and keep adding new tools to your tool belt

6. Invest in yourself

7. Create financial and emotional stability so you never have to give up on your dream

For more tips and articles by the Greenlight Coach, visit www.TheGreenlightCoachBlog.com

Question 46: Will internships in the entertainment industry lead to anything after?

That question is impossible for me to answer without my Magic 8 Ball. So, let me re-phrase it as: Do internships in the entertainment industry have the POTENTIAL to lead to anything after? Now, I can give you a firm yes-- IF you treat the internship as a business opportunity, which means:

1. Know where you want to be 3 steps after the internship so you can take the steps to position yourself toward those milestones 

2. Create relationships with everyone you possibly can

3. Help the people you meet at your internship achieve their goals

4. Contact everyone you know, to tell them you're working, and what you plan to do when this job is done

5. Be the BEST at whatever you're assigned

6. Go above and beyond whenever possible 

7. Learn, LEARN, LEARN

Internships can be advantages stepping stones if you know where you want to step next.

For more tips and articles by The Greenlight Coach, visit www.TheGreenlightCoachBlog.com