Wednesday, August 4, 2010

entertainment industry coach Question 518: Where can I meet Editors?

If you live in LA, they're all over the place. I'd start at the Editors Guild and then work your way to Film Independent and then go with referrals and social media.

It's also going to depend on why you want to meet Editors. If you want to hire them, they're going to be really easy to find. If you want to be hired by them, then it may take some time.

If you don't live in LA, you can still check with the MPEG because it's national, as well as any local filmmaking organizations, and social media.

For more tips and articles by top entertainment industry career coach, The Greenlight Coach, visitwww.TheGreenlightCoachBlog.com

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Tuesday, August 3, 2010

entertainment industry coach Question 517: Can YOU teach an "old dog" new tricks?

Yes I can, and yes I have. The key is that said "old dog" is willing to learn the new tricks. Like most dogs, if he likes treats, he has to obey to get them.

Okay enough with the dog metaphors. My newsletter went out today and its title was DOG PARK Are You Sniffing Around for Jobs in Entertainment? So I have dogs on the brain and you just played right into it.

Back to your question. Many industry veterans have come to me when they got to a point where they realized they had been fighting against change and lost. They wanted me to teach them new ways of generating work. Most took the new tools and ran with them and because of their stellar career had no problem re-emerging into the industry. Others, however, preferred that I do the work for them, or give them a magic bullet. They really didn't want to have to do things differently than they'd always done it. Why? Because who wouldn't like to have a career where the phone rings because people are seeking you out. Unfortunately, these industry veterans are still sitting by their phone waiting for it to ring... and it's not ringing.

Don't make the same mistake. Be open to learning new ways of generating work. Embrace fabulous, free ways to network like Facebook. Be willing to ask for help. And continue to ask questions.

For more tips and articles by top entertainment industry career coach, The Greenlight Coach, visitwww.TheGreenlightCoachBlog.com

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Monday, August 2, 2010

entertainment industry coach Question 516:I've been posting videos on Twitter and no one's watching. Why?

Well, after researching this, your title was "Watch This Strange Video." That screams SPAM!!!! CLICK ON ME I'M A VIRUS!!!!!

You need a better title. I've received videos from trusted clients and friends that say, "Watch this, it's funny." And I've written back and asked if it was really from them or a virus. Opening links and downloading files can be very risky. If a virus attacked my computer... I can't even think about what it would do to my business.

Okay, I need to breath and shake that thought off. SO you need a new title. The video is your reel with sci fi and horror, so yes, it is strange and I get you're trying to brand yourself that way BUT, a title like "feedback on my reel please," may get more views.

And, really, is Twitter the most effective way to get your reel seen? Maybe not at this point in Twitter world. Do you really want feedback from people whose credentials may not be up to snuff? A targeted campaign to people who can effectively contribute to your career is something to highly consider.

For more tips and articles by top entertainment industry career coach, The Greenlight Coach, visitwww.TheGreenlightCoachBlog.com

To stay current on The Greenlight Coach's speaking engagements, recommendations, and work success articles, sign up for her free newsletter at the top of the page and get a great bonus 1-hour MP3 on creating powerful business partnerships when you do!

Sunday, August 1, 2010

entertainment industry coach Question 515:How do I get a job as an extra in music videos?

Central Casting is one of the biggest Extra Casting Agencies. You can also look at la411.com and newyork411.com to find additional Extra Casting agencies. Union productions require a certain number of Union background artists before they can hire non-union extras. You will need a headshot and eventually a resume. To build your resume, volunteer to do extra work for student films and short films where you live. Some Extra Casting Agencies only require a picture which they take themselves and put in a book for people who are hiring extras for TV, Film, Music Videos, & Commercials. If you don’t live in an entertainment hub such as NY, Los Angeles, Chicago, Miami, or one of the other city/states where there’s a tax incentive, you may consider moving to where the work is.

For more tips and articles by top entertainment industry career coach, The Greenlight Coach, visitwww.TheGreenlightCoachBlog.com

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Saturday, July 31, 2010

entertainment industry coach Question 514: How do kids/teens get acting jobs?

I have two very eager Twitter Followers with lots of questions about getting into acting. One excited young lady would like to be on the Disney Channel and the other is a mom who wants to get her son into the biz. Because they are both starting from scratch, I will give some basic starter-uppers:

1. Location: One lives in Alberta, Canada the other in NY, although I don't know how far from NYC. For Canadians, visit ACTRA and for my young New Yorker, you want to go to SAG. The Unions will give you and your parents valuable information, list of agents, and advice on steering away from scams that take advantage of artists looking "to be discovered." Many parents whose children have an agent, take them to Los Angeles during pilot season to audition for television pilots. Although these days it's possible to put yourself on video and send the link to Casting Offices.

2. Agents: Is it important to have one? Yes. They give you the "stamp of approval," have connections with studios and casting offices, and have access to the breakdown services that announce the roles for auditions. Is it something that you go after first? Not necessarily. You may want to research the "business side of the business" first, so you can approach an agent in the most knowledgeable and professional way.

3. Headshots: If you visit IMDB.com and put in a actor/actress' name (not the most famous ones because they don't need headshots. Try a secondary character on a show you like) you will see a a picture. This is a headshot. Click HERE to see mine. They are submitted to agents and casting directors. These are NOT glamour shots. You want to look like your headshot. Nothing upsets people more, than when they call you in based on your picture and it looks nothing like you. Call an agent and ask what they require as far as a headshot if you don't live in a place where there are professional photographers. They may suggest you send some personal photos and if they want to work with you, they may make arrangements for you to work with a photographer they know.

4. Unions: I mentioned them in #1. Unions protect child actors. They are very informative and have business representatives and member services departments who can answer questions before you make any decisions.

5. Attitude: While there are union regulations that monitor child actors' work hours and study time, child/teen actors are expected to be professional, know their lines, be directable, and have a good attitude. While acting looks like fun (and it is), it's also hard work. There are many adults doing jobs that you won't understand. Their jobs and reputations are on the line if a shot/scene isn't done on time. Therefore, they are depending on you to know what you're doing.

There is a lot more to learn. Obviously I can't fit this all in on a tweet, so feel free to visit my website at www.TheGreenlightCoach.com. There is another blog there, as well as the 513 questions answered before this one. I'm here to answer questions and direct you to helpful resources.

For more tips and articles by top entertainment industry career coach, The Greenlight Coach, visitwww.TheGreenlightCoachBlog.com

To stay current on The Greenlight Coach's speaking engagements, recommendations, and work success articles, sign up for her free newsletter at the top of the page and get a great bonus 1-hour MP3 on creating powerful business partnerships when you do!

Friday, July 30, 2010

entertainment industry coach Question 513:Hi Coach, did you have anything to do with Project Greenlight?

I do not. In the entertainment industry the term "greenlight" refers to getting the go ahead on a project. Everyone wants the "greenlight" for their project. Therefore, as a career coach for entertainment industry professionals, who relate to the term "greenlight," I chose the name because I help them "greenlight their careers."

PS I loved the show Project Greenlight and had many clients who worked on it in different capacities.


entertainment industry coach Question 512: I have an idea for an episode of a show that I'd like to present to the producers, how?

That's taboo. When people want to write for a show, they give a spec of a different show. Unless you get a pitch meeting with them to pitch your idea. They wouldn't be allowed to read a spec script of their own show. Reason being, what if they had a similar story line already in the works. You could say they read your spec or pitched your idea and they stole it. There's a lot of politics around discussing an idea for a show with the show producers. That's why most people do it through agents. I'm not saying it's impossible, I'm just saying that the majority of the time, that's how its done.

For more tips and articles by top entertainment industry career coach, The Greenlight Coach, visitwww.TheGreenlightCoachBlog.com

To stay current on The Greenlight Coach's speaking engagements, recommendations, and work success articles, sign up for her free newsletter at the top of the page and get a great bonus 1-hour MP3 on creating powerful business partnerships when you do!

Wednesday, July 28, 2010

entertainment industry coach Question 511:How do I get my own cooking show?

Other than trying out for Food Network's "The Next Food Network Star?" If you have a really strong hook and no connections at all, I would suggest getting yourself a cheap video camera (like a Flip) and shoot 3-7 minute webisodes. The Flip camera plugs right into your computer and directly uploads the videos to YouTube. You can create your own You Tube Channel and then promote it on social media. Create buzz and who knows...

For more tips and articles by top entertainment industry career coach, The Greenlight Coach, visitwww.TheGreenlightCoachBlog.com

To stay current on The Greenlight Coach's speaking engagements, recommendations, and work success articles, sign up for her free newsletter at the top of the page and get a great bonus 1-hour MP3 on creating powerful business partnerships when you do!

Tuesday, July 27, 2010

entertainment industry coach Question 510: Should a college student be in LA or stay in Vermont where there are no distractions?

The question read, "This question is for a friend I met on set yesterday. She is a 19 yr old just in town for the summer she is interested in staying here and transferring to La City College rather than going back to Bennington college in Vermont to complete her education. She has been out to LA the last couple summers doing extra work and taking classes. Last summer an agent told her to stay in town, but she decided to return to school. Do you think it's a better idea for her to study theatre in Vermont where there's no distractions or stay here and be closer to the action?"

Well, I didn't go to school in Vermont or LA, but I can tell you, no matter where you go to school, if you want to be distracted, there's always a way. So, let's leave distractions out of the equation. The bottom line is, does she want a college degree to fall back on or does she want to be in Los Angeles splitting between her studies and getting a jump on her acting career through networking? It's a really big decision, one that she will have to make by weighing the pros and cons. I can tell her that there are ways to create relationships from Vermont, it's different than creating them in LA. I'd have to know more about why she's torn, why it's not an obvious decision for her in order to coach her to come to her own decision.

For more tips and articles by top entertainment industry career coach, The Greenlight Coach, visitwww.TheGreenlightCoachBlog.com

To stay current on The Greenlight Coach's speaking engagements, recommendations, and work success articles, sign up for her free newsletter at the top of the page and get a great bonus 1-hour MP3 on creating powerful business partnerships when you do!

Monday, July 26, 2010

entertainment industry coach Question 509: How do I deal with producers changing their mind after I've been hired?

The question read: I was hired last week via a phone interview for a job. I got a call yesterday saying that the producers changed their mind and decided to go with someone with more credits than I have. I was a bit stunned. What is the best way to deal with a situation like that? I don't want to be like a deer in headlights nor do I want to be the person who screams their head off at them. Where is the middle ground in a situation like that?

Unfortunately, there's really no way to avoid the "stun." It's human to get excited about a job and then to have the rug pulled out from under you, is disarming. Your best road is always the high road. So, definitely stay clear of the screaming route. The middle ground is to see if there's a way to maintain the relationship. I know it can be hard when you're in the midst of getting an "emotional punch to the gut," BUT I have worked this road with many of my DPs who've had excellent interviews, didn't get the job, and maintained a relationship with the interviewers (producers, directors). This has led to a number of them either getting the second picture, or being brought in on the original picture they'd interviewed for when it didn't work out with the original hire.

You just never know where handling a situation with appreciation and grace can lead to.

Actions to take in this regard:

1. Tell them you're still thrilled that the project is a go and you'd love the opportunity to see how shooting is going (or be invited to a screening, etc).

2. Thank them, wish them the best, and let them know should their circumstances change, and they find themselves needing your assistance in the future, you are happy to jump back on board.

And just for your own sanity... keep a little notebook for all those names to whom you want to "unthank" during your Oscar acceptance speech :-)

For more tips and articles by top entertainment industry career coach, The Greenlight Coach, visitwww.TheGreenlightCoachBlog.com

To stay current on The Greenlight Coach's speaking engagements, recommendations, and work success articles, sign up for her free newsletter at the top of the page and get a great bonus 1-hour MP3 on creating powerful business partnerships when you do!

Sunday, July 25, 2010

entertainment industry coach Question 508: How do I reinvent myself?

As a long-time radio exec and current morning DJ who is trying to reinvent himself at Forty-(mumble) years old...I'm trying to get myself out there to direct episodic TV. Just finished a TV pilot I shot on my own dime that I want to get to the right folks. Have a number of good contacts, but still feel a little...unfocused. What's the best way to start accessing the resources out there.

One of the best resources is mentors. I interviewed a director for Greenlight Mentor Series who moved up from being a Steadi-cam operator. Another came from the movie-of-the-week & promo world. There are many ways to break in, so you want to learn about the politics of it all.

If you have a DGA branch where you live, go in and meet with them. Also, network with their members so you can go with them as guests to DGA events.

You say you have good contacts. You have to be specific about that. Are they people who can hire you as a director, refer you as a director, or something else?

What specifically are you feeling unfocused about? How to direct an episode of network TV? If so, that would be a mentor question. Or are you unsure of how to get your pilot seen by networks?

If you can give me some more details I can better answer your question. (just put the deets in the comment box below)
For more tips and articles by top entertainment industry career coach, The Greenlight Coach, visitwww.TheGreenlightCoachBlog.com

To stay current on The Greenlight Coach's speaking engagements, recommendations, and work success articles, sign up for her free newsletter at the top of the page and get a great bonus 1-hour MP3 on creating powerful business partnerships when you do!

Getting Jobs in Entertainment question 1280: I grew up in India and as a result English is my second language (cont'd)

"I grew up in India and as a result English is my second language. I  am looking to improve my comprehension when I read my text book...