Friday, April 20, 2012

Getting Jobs in Entertainment question 1137: How do I find representation?

Before spending valuable time on seeking representation, do an honest evaluation of where you are in your career.

Are you making enough money to make you attractive to an agent and/or manager?
Are you so busy with work that you can't manage your own career?
Are you highly marketable (examples: just won an award, created buzz at a film festival)?

If you answered YES to any of those questions, then it may be time to seek representation- if they're not already coming for you. Here are some tips on seeking representation:

1. Do your research: choose 10 agents/managers that are a smart fit for you

2. Find out who else is represented by them, to see if you have a contact on the inside who can bring you in/refer you

3. Have contacts make calls on your behalf

Just as a note:
Agents get +10% because they do +10% of the work. YOU are 100% responsible for your career! Don't expect an agent to be the magic bullet who will propel your career. An agent is a great team member to have and a "stamp of approval" on your resume & reel. Keep doing your "business."

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Thursday, April 19, 2012

Getting Jobs in Entertainment question 1136: It seems like every successful person took a different path to become successful. What's the right path?

Unfortunately, there is no "right path," no clear ladders to climb, no rule book.

Fortunately, that means you can choose your own path, build your own ladder, make your own rules.

My suggestions for doing this are:

1. Get mentors. Plural. Get advice from as many successful people as you possibly can

2. Compare their advice and decide what fits you best

3. Take action

4. See what works what doesn't work

5. Keep doing what's working and keep adding new tools to your tool belt

6. Invest in yourself

7. Create financial and emotional stability so you never have to give up on your dream

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Wednesday, April 18, 2012

Getting Jobs in Entertainment question 1135: How does going to a Union movie screening help me when I'm watching a movie?

This must be someone who attended one of my speaking engagements recently, where I suggested union screenings as a place to network.

Here's how I see it. Going to the movies in a regular theater, you can be attending with anyone: students, plumbers, financial planners, stay-at-home-moms. When you attend a union screening, at least one out of two people have to be in the union (I say 1 of 2, because members can bring a guest). That means, one of the two people to your right and one of the two people to your left, are potential relationships, right?

No more sitting quietly in your seat waiting for the movie to begin. Say hello to your neighbors. And while you're at it, come early and stay late. And no... NO networking during the movie (unless it's a thriller and you can't help but grab someone).

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Tuesday, April 17, 2012

Getting Jobs in Entertainment question 1134: Is it difficult crossing over from television to film, or vice versa?

Back in the day, you were one or the other. In recent years, the business has changed and people go back and forth. Is it difficult? That depends. Do you have solid relationships with people who can hire you in both? Do you have individual marketing materials for each medium? Do you have a recognizable name?

If you didn't answer yes, to any of the questions, it can certainly be a challenge. Now you know what's missing, and you can work to build in those areas to make the cross-over easier.
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Monday, April 16, 2012

Getting Jobs in Entertainment question 1133: how do you avoid getting pigeon-holed?

Personally, I wouldn't advise you to avoid it. Get pigeon-holed. Be an expert at something. Build a reputation. Then, when you are ready and you have the right relationships, you can transition to something new.

The chameleon strategy is a hard one. People don't know where to put you. It's kind of like being a Jack of all trades, master of none.
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Sunday, April 15, 2012

Getting Jobs in Entertainment question 1132: how do you market and sell yourself without seeming fake?

This question is too easy. Answer: DON'T BE FAKE.

Obvious isn't it? Yet, so complicated, and trust me I'm not being sarcastic. I'm sure the person who asked this question is dead serious as were the hundreds (yes, hundreds) of people who've asked me before in seminars, groups, and one-on-one. This question is a huge concern. So, let me put your mind at ease...

If you are not being fake, you will not be perceived that way. If you are being fake, what exactly are you faking? That you're talented? That you're hirable? That you're worthy of their time, work, and money? If you don't believe these to be true about yourself, you need to work on your confidence not your ability to "act" fake.

I think that most people who ask this question, need to work on their marketing plan, so they have the confidence to back up what they're selling. The fact that you're even worried about appearing fake, convinces me that you are most likely not coming off that way. Most fake people could care less about being fake.
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Saturday, April 14, 2012

Getting Jobs in Entertainment question 1131: How should I prepare for an informational meeting with someone I've been referred to?

Preparing for an informational meeting with a referral is similar to preparing for a job interview. The differences being:

1. The person is meeting with you because of your connection to the person who referred you
2. It's not for a specific job

Therefore, in your preparation, you want to:

1. Know your objective(s) for the meeting
2. Research the person you're meeting with (seems obvious, but SO many people don't)
3. Design at least 5 questions that you really want to know the answers to
4. Compile a package that shows you in your best light
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Friday, April 13, 2012

Getting Jobs in Entertainment question 1130: Should you “settle” for work that may not be exactly what you want to pursue?

Never settle- Always strategize!

If you are going to take a job that is not ideal, strategically it should fall into one of the following categories:

1. It pays a tremendous amount of money (or the money that you need to survive)

2. There are new people you can meet, who can potentially hire/refer you to jobs you want, and/or people you want to meet

3. There are new "toys to play with" aka an opportunity to learn new equipment or sharpen your skills

4. There's an opportunity to get a piece of footage that is necessary for or missing from your reel

When a job is offered to you that is not "what you want", consider the possibilities of how you can use your business skills to turn it into an opportunity that will lead to jobs you DO want.
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Getting Jobs in Entertainment question 1280: I grew up in India and as a result English is my second language (cont'd)

"I grew up in India and as a result English is my second language. I  am looking to improve my comprehension when I read my text book...