entertainment industry coach question 240: What are the hours on a television show and can they be flexible?

The hours on a television show vary from show to show. They also vary depending on the length (1 hour drama vs 30 minute comedy), the genre (sitcom vs drama), and the budget (shows that can't afford overtime and meal penalties, will most likely finish earlier).

Can they be flexible? That depends on your reason for needing flexibility, your relationship with your boss(es), and the ability for them to continue production without you.

For more tips and articles by top entertainment industry career coach, The Greenlight Coach, visit www.theGreenlightCoachBlog.com

Question 166: what if people are discouraging me from sitcoms because it's too hard to break into?

What high demand job where you can make a lot of money isn't hard to break into? People who are successful are successful for a reason: Determination!

Okay, for more than one reason:

1. Determination/drive

2. Perseverance

3. Action in spite of fear

4. Willingness to do the work

5. A strong support system

And in many cases:

6. Talent/skill

7. Strong people skills

8. Willingness to learn

9. Going the extra mile

10. Belief in themselves

Feel free to add your own in the comment section. People can find reasons to tell you that you can't do something... that's easy. Your job is to find the people, who knowing your challenges, support your dreams and help you figure out "how" to make them come true.

Like I wrote yesterday: KEEP WRITING. The business part you can learn on the way.

For more tips and articles by top entertainment industry coach, the Greenlight Coach, visit www.theGreenlightCoachBlog.com

Question 165: I'm interested in writing for sitcoms but I need a day job in LA before I move there. It's a Catch 22. I can't even get a PA job. Help!

Okay. The advantage of being a writer is that you can have any day job and write during your free time. So, you can relocate out here, get a job in your current profession, and maintain financial stability while building your contacts to get an "industry" job.

PA work isn't really the most direct job for a writer because production assistants tend to be focused on production work. Ideally, I'd recommend (in this order):

#1: Writers' assistant on a show. This is the "PA" of the pre-production world. Here you'll be delivering coffee and scripts, depending on the show you could be in the writers' room, and you'll be in a good position to create relationships.

#2: An assistant for a writer with a deal.

#3 An assistant/intern for a production company that produces television.

For these jobs, like most, you really need to know someone. That's why I suggest you focus on getting a livelihood job, building relationships, and then going after an industry job. ALL THE WHILE WRITING. Always be writing!

For more tips and articles by top entertainment industry coach, The Greenlight Coach, visit www.theGreenlightCoachBlog.com