Showing posts with label still photographer. Show all posts
Showing posts with label still photographer. Show all posts

Thursday, April 7, 2011

entertainment industry coach question 763:Do you have to be in a union to take pictures on set?

Not only do you have to be in a union but there's an actual name for the classification: Still Photographer.

In some cases they let cameras on the set for continuity and wardrobe, but to take stills of the production you must be a still photographer.

Now if you are a still photographer and you're not in the union you can accrue your days toward getting into the union by working on non-union productions. And be sure to check with Contract Services to make sure you are saving the important paperwork like pay stubs, etc. so your days will qualify.


For more tips and articles by top entertainment industry career coach, The Greenlight Coach, visitwww.TheGreenlightCoachBlog.com

Sunday, January 23, 2011

entertainment industry coach question 689:What's the best way to approach referrals?

The actual question read: I am a set photographer in the film and television industry. I was recently given the email and telephone contact for two people who hire set photographers for reality television shows. How do you think the best way to approach them is? Since they probably get contacted by new people all the time.

Yes, when people are in the position to hire, they tend to get contacted by people all of the time. However, the majority of these contacts are cold calls. YOU have referrals. Therefore, the professional way to approach them is to call and say, "Hi (insert their name), my name is (insert your name), and I was referred to you by (insert referral's name) he/she thought the two of us would hit it off and should connect. Do you have time for a coffee or if you're in production, perhaps I could stop by set and just observe. I'l be happy to sign the confidentiality agreement. I enjoy doing set visits and getting to see the atmosphere of the different shows."

The person should ask what you do and then you can share. But if the person does not, don't reveal it yet. Wait until you get to meet. Bring your book or reel (out of sight) so you're ready if you're asked to share it.


For more tips and articles by top entertainment industry career coach, The Greenlight Coach, visitwww.TheGreenlightCoachBlog.com

To stay current on The Greenlight Coach's speaking engagements, recommendations, and work success articles, sign up for her free newsletter at the top of the page and get a great bonus 1-hour MP3 on creating powerful business partnerships when you do!

Wednesday, December 29, 2010

entertainment industry coach question 664:How do you get your portfolio to the right people?

Depending on the industry of photography you're in, you'd be targeting different people. Movie and TV set still photographers, target studio photo editors.

1. Find out who judges the portfolios in the area of photography you're in

2. Contact their office to find out their submission policy and what format they want the portfolio in

3. If they don't accept unsolicited materials, ask who they accept materials from (reps, agents)

4. Contact those reps and agents

5. If after all of this, you still can't get your work seen, let me know and I'll start from the basics about creating relationships and getting referrals


For more tips and articles by top entertainment industry career coach, The Greenlight Coach, visitwww.TheGreenlightCoachBlog.com

To stay current on The Greenlight Coach's speaking engagements, recommendations, and work success articles, sign up for her free newsletter at the top of the page and get a great bonus 1-hour MP3 on creating powerful business partnerships when you do!

Friday, November 5, 2010

entertainment industry coach question 611: Should I have my set photography and wedding photography on the same site?

I've seen plenty of Still Photographers do it, that does not mean I agree with it. I think if you want to market yourself as a Still Photographer you have set stills on your site. The only exception would be to have your artistic stills in a section of your site. This can give photo editors, directors, producers, etc., insight into your mind and your artistry.

For me the distinguishing factor is: if it's another way you make money like wedding, music, fashion photography, I advise against having it on the same site. The main reason is because many people who hire you come from the opinion that set still photography is a completely different craft. You're not using your own lighting, you're capturing moments in the filming that will sell the film, and you're around celebrities... which leads me to another exception. If you're fairly new to set photography, but you were huge in music photography and photographed some of the biggest names in music, those photos can be showcased to give credibility to your ability to work with talent.

For more tips and articles by top entertainment industry career coach, The Greenlight Coach, visitwww.TheGreenlightCoachBlog.com

To stay current on The Greenlight Coach's speaking engagements, recommendations, and work success articles, sign up for her free newsletter at the top of the page and get a great bonus 1-hour MP3 on creating powerful business partnerships when you do!

Thursday, June 10, 2010

entertainment industry coach Question 463: How can I pursue my career as a movie still photographer?

Being a movie still photographer is a completely separate business of photography. Your marketing materials are different, your contacts are different, and you have no control over the lighting.

Start by understanding the purpose of your job: it's to create publicity photos. Therefore it's not about getting the most creative shots necessarily, it's about getting the shots that capture the emotion of the scene and will compel viewers to go to the theater.

In the beginning, you will most likely start on independent films and student films. You have to target directors and producers who make the films. Your goal here is to build your portfolio with set stills.

You should also research other Still Photographers by checking out their websites.

For more tips and articles by top entertainment industry career coach, The Greenlight Coach, visitwww.TheGreenlightCoachBlog.com

To stay current on The Greenlight Coach's speaking engagements, recommendations, and work success articles, sign up for her free newsletter at the top of the page and get a great bonus 1-hour MP3 on creating powerful business partnerships when you do!

Thursday, May 27, 2010

entertainment industry coach Question 449: How do I get answers about who hires me when my only sources of info are the people I'm competing with?

This is a great question that people in many different classifications struggle with. When you're let's say, a still photographer, it's not as obvious who hires you for a job. Yet, the people who WOULD know are other still photographers, who are your direct competition, right?

Not necessarily. The only ones in direct competition with you are the ones at your level. If you're breaking into a new market, established still photographers shouldn't feel threatened by you. Some will. Some are very closed off with information. Remember, you can reach out to still photographers all over the country. The camera guild has a directory (it also has one for publicists, which is crucial for still photographers because it lists photo editors and VPs of photography, etc.). If you live outside of Los Angeles (which this person does) you want to do the research of the people who hire you, develop a mentor/advisor relationship through phone and email and then, as you get to know them pretty well, find out a good time of year to come out for a week of meetings. There's nothing like meeting in person, and people really respect someone who is willing to fly out to meet with them.

Los Angeles still photographers (or insert your classification here if you live somewhere else) may be more open to speaking with you because again, you are out of state and therefore, they may not view you as direct competition.

For more tips and articles by top entertainment industry career coach, The Greenlight Coach, visitwww.TheGreenlightCoachBlog.com

To stay current on The Greenlight Coach's speaking engagements, recommendations, and work success articles, sign up for her free newsletter at the top of the page and get a great bonus 1-hour MP3 on creating powerful business partnerships when you do!

Thursday, April 8, 2010

entertainment industry coach Question 400: Do you have to be in a union to take pictures on set?

Not only do you have to be in a union but you have to be a still photographer. In some cases they let cameras on the set for continuity and wardrobe, but to take stills of the shoot you must be a still photographer.

Now if you are a still photographer and you’re not in the union, you can get your days toward getting into the union by working on non-union projects, but be sure to check with Contract Services to make sure you are saving things like pay stubs, etc. so your days will qualify.

For more tips and articles by top entertainment industry career coach, The Greenlight Coach, visitwww.TheGreenlightCoachBlog.com

To stay current on The Greenlight Coach's speaking engagements, recommendations, and work success articles, sign up for her free newsletter at www.TheGreenlightCoach.com and get a great bonus 1-hour MP3 on creating powerful business partnerships when you do!

Getting Jobs in Entertainment question 1280: I grew up in India and as a result English is my second language (cont'd)

"I grew up in India and as a result English is my second language. I  am looking to improve my comprehension when I read my text book...