BE ON THE CUTTING EDGE OF THE BUSINESS SIDE OF THE ENTERTAINMENT INDUSTRY

Email Newsletter icon, E-mail Newsletter icon, Email List icon, E-mail List icon SUBSCRIBE to the GREENLIGHT Newsletter and get a FREE MP3 "Creating Powerful Business Partnerships"
For Email Newsletters you can trust

Friday, August 14, 2009

Question 165: I'm interested in writing for sitcoms but I need a day job in LA before I move there. It's a Catch 22. I can't even get a PA job. Help!

Okay. The advantage of being a writer is that you can have any day job and write during your free time. So, you can relocate out here, get a job in your current profession, and maintain financial stability while building your contacts to get an "industry" job.

PA work isn't really the most direct job for a writer because production assistants tend to be focused on production work. Ideally, I'd recommend (in this order):

#1: Writers' assistant on a show. This is the "PA" of the pre-production world. Here you'll be delivering coffee and scripts, depending on the show you could be in the writers' room, and you'll be in a good position to create relationships.

#2: An assistant for a writer with a deal.

#3 An assistant/intern for a production company that produces television.

For these jobs, like most, you really need to know someone. That's why I suggest you focus on getting a livelihood job, building relationships, and then going after an industry job. ALL THE WHILE WRITING. Always be writing!

For more tips and articles by top entertainment industry coach, The Greenlight Coach, visit www.theGreenlightCoachBlog.com