entertainment industry coach question 720: How does being on a set differ from being in class?

It's a whole other world. Class is nurturing, it's practice, it can be "time-indulgent." On set, things happen fast. People aren't necessarily giving you feedback or positive reinforcement. You have to be at your most confident on set. You have to make your choices and leave self-talk and self-doubt behind. My coach Brad William Henke, a successful working actor, says to think about how much work goes into preparing for an audition and then the actual audition takes minutes (This applies to preparing for interviews for other classifications). IT can go just as quickly on set.

Sometimes on set you don't get a second take. Do your work before hand and be prepared to do your best and do it fast. There are also a lot of distractions on set that aren't in class (unless you're in Brad's class where it's all part of his teaching). You can be in the middle of your scene and see people walking around in the background, a cell phone can ring in the middle of your line and you have to start over, or you can do an amazing take and the focus was soft so you have to do it again. You may not even be told that's why you're re-doing the take.

This is why you see the same people hired over and over, because they know how to work on set. That's why I recommend set visits so you can familiarize yourself with the pace, and the lulls.

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entertainment industry coach question 652:How do I get onto a studio lot?

For what purpose are you trying to get on a studio lot? I ask because it's the first question someone will ask when you make the request of them. Security has changed considerably in the last decade.

If you want a set visit, you need to find someone who is working on the set or someone who knows someone who is working on a set.

If you want a pitch meeting, those are harder to get. It doesn't sound like you're represented or you wouldn't be asking me about this. Do you know someone who believes in your project pitch enough to get you in the door?

These are the most simplified answers I can give you in a blog with the little information you gave me.

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For more tips and articles by top entertainment industry career coach, The Greenlight Coach, visitwww.TheGreenlightCoachBlog.com

To stay current on The Greenlight Coach's speaking engagements, recommendations, and work success articles, sign up for her free newsletter at the top of the page and get a great bonus 1-hour MP3 on creating powerful business partnerships when you do!

entertainment industry coach question 648: What do I do to stay busy when times are so slow?

Business action ideas:

1. Re-establish with 30 contacts

2. Reach out to 10 business advice mentors

3. Visit 5 sets (if it's holiday time, go to 5 parties)

4. Attend 1 networking event/week and meet 5-10 people at each

Many people spend all of their time in between jobs, stressing out about being out of work and then, once they have the next job, they look back and regret not enjoying their time off.

Off time ideas:

1. Hang out with friends you've been out of touch with

2. Once a week, spend a day doing something you enjoy: the beach, a day trip to another city, a movie with popcorn & soda, a sports event, a museum, the planetarium

3. Exercise

4. Pick up an old hobby

That should keep you busy for a while.

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For more tips and articles by top entertainment industry career coach, The Greenlight Coach, visitwww.TheGreenlightCoachBlog.com

To stay current on The Greenlight Coach's speaking engagements, recommendations, and work success articles, sign up for her free newsletter at the top of the page and get a great bonus 1-hour MP3 on creating powerful business partnerships when you do!

entertainment industry coach question 637: I'm planning a Dec vacation to New Mexico where they shoot a lot of movies. How do I maximize my trip?

Mixing work and pleasure are you? My answers will vary depending on whether you know industry people in New Mexico. If you do, make plans to see them. Perhaps plan a meet up at a restaurant where they can invite other industry people you don't know.

If you don't know anyone, you can research who lives there, whom you'd like to meet. Reach out this week for some advice about what to do while in New Mexico and ask if there are any industry events/holiday parties happening. If you feel you've built the foundation for a relationship, you can ask if he/she will be in town and you can offer to take him/her to lunch.

You can also call the film commission to see if anything will be filming while you are there and perhaps drop by for a set visit, if it's appropriate.

It would be great to mix in a little business, but don't get down on yourself if it doesn't work out. It is the holiday season and people are busy with family. You can still contact people after your visit to discuss what an amazing vacation you had.

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For more tips and articles by top entertainment industry career coach, The Greenlight Coach, visitwww.TheGreenlightCoachBlog.com

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entertainment industry coach question 589: I read yesterday's blog. R U allowed to talk to them or should you just observe?

Well the way I see it is, the only difference between me and anyone else under that tent in video village, is the opportunities they've had. We all have talent, we all have passion, and we all have confidence. Therefore, anyone I wasn't introduced to by the DP who invited me, I introduced myself to. They're just people (amazingly talented and funny people, but still people).

Now, keep in mind, I took the temperature of the set. The people were warm and welcoming, so I knew it was okay to make conversation. There are certainly sets that are far more tense, on which you would have to make your own choice if it's better to step back and observe.

I've found that when sets are that tense and "closed off" people who would normally invite me, tell me that it's not a great set to visit or they're going through a tense time so maybe give it a few weeks.

A few rules I made up for myself and you can feel free to adopt:

1. Never sit on a directors chair unless someone offers it to you (and if someone important comes in and there are no chairs left, offer to give up yours).

2. On the flip side if you're standing and someone offers their seat and you say no, to be polite, if after an hour or so they offer again, take it, because they probably feel uncomfortable that you're a guest and you are standing for so long. Don't make them ask three times :-)

3. Don't eat set food unless it's offered. Even then I don't eat it, but I'm just that way. I eat before I go. Now if they offer you a water or a soda and you're thirsty, go ahead. Dehydrating on set would be embarrassing for both you and the person who invited you.

4. Don't give your opinion on what's going on unless asked for it. Silent laughing when scenes are hilarious is not included. That's not an opinion that's positive reinforcement... unless of course it's a drama.

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For more tips and articles by top entertainment industry career coach, The Greenlight Coach, visit www.TheGreenlightCoachBlog.com

To stay current on The Greenlight Coach's speaking engagements, recommendations, and work success articles, sign up for her free newsletter at the top of the page and get a great bonus 1-hour MP3 on creating powerful business partnerships when you do!

entertainment industry coach Question 462:What are those "techniques and etiquette" to get set or post house visits?

This is a follow up question from yesterday's blog. Let's start with the techniques:

1. Know the sets/post facilities you want to target

2. Ask your contacts if they can refer you to someone who works on the show/at the facility

3. If you can't get a referral, take a step back and focus on building you contact list/relationships first. It's important that you know enough people who "know, like, & trust" you and will therefore be willing to invite you to a set/facility or refer you to one.

4. When you do get a referral, call the referral within 48 hours to request the visit.

This leads nicely into setiquette or post house visit etiquette

1. Be clear on your objective for going; to "take the temperature" of the set/facility, in other words, know the atmosphere so should you be called to work, you are familiar with the way things work. OR in the case of a post house, you may literally want to know the room and be familiar with the equipment they use.

2. You are there to observe and when possible create new relationships. Use your judgement to decide how relaxed or how hectic the day is and either quietly stay out of the way, or politely introduce yourself to people when appropriate.

3. Remember, you are there to help them. When they need someone who does what you do, they want to call someone they know who knows their set/facility. By you giving them the opportunity to get to know you, you are making their job easier when they are stuck in a bind and all of their "regulars" are busy.

4. DO NOT politic for work. You're there to create relationships NOT steal the jobs of the people who are already working there, so don't go with the objective of getting work, go with the objective of building relationships, in order to be an asset to their team when they need someone.

For more tips and articles by top entertainment industry career coach, The Greenlight Coach, visitwww.TheGreenlightCoachBlog.com

To stay current on The Greenlight Coach's speaking engagements, recommendations, and work success articles, sign up for her free newsletter at the top of the page and get a great bonus 1-hour MP3 on creating powerful business partnerships when you do!

entertainment industry coach question 358: How does being on a set differ from being in class?

It's a whole other world. Class is nurturing, it's practice, it can be "time-indulgent." On set, things happen fast. People aren't necessarily giving you feedback or positive reinforcement. You have to be at your most confident on set. You have to make your choices and leave self-talk and self-doubt behind. My coach Brad William Henke, a successful working actor, says to think about how much work goes into preparing for an audition and then the actual audition takes minutes (This applies to preparing for interviews for other classifications). IT can go just as quickly on set.

Sometimes on set you don't get a second take. Do your work before hand and be prepared to do your best and do it fast. There are also a lot of distractions on set that aren't in class (unless you're in Brad's class where it's all part of his teaching). You can be in the middle of your scene and see people walking around in the background, a cell phone can ring in the middle of your line and you have to start over, or you can do an amazing take and the focus was soft so you have to do it again. You may not even be told that's why you're re-doing the take.

This is why you see the same people hired over and over, because they know how to work on set. That's why I recommend set visits so you can familiarize yourself with the pace, and the lulls.

For more tips and articles by top entertainment industry career coach, The Greenlight Coach, visit www.TheGreenlightCoachBlog.com

entertainment industry coach question 286: What do I do to stay busy when times are so slow?

Staying busy during slow times? There are two ways to answer this question from my perspective. The first, is the business actions you can be taking and the second is the actions you can be taking to maximize your "off time."

Business action ideas:

1. Re-establish with 30 contacts

2. Reach out to 10 business advice mentors

3. Visit 5 sets (if it's holiday time, go to 5 parties)

4. Attend 1 networking event/week and meet 5-10 people at each

Many people spend all of their time in between jobs, stressing out about being out of work and then, once they have the next job, they look back and regret not enjoying their time off.

Off time ideas:

1. Hang out with friends you've been out of touch with

2. Once a week, spend a day doing something you enjoy: the beach, a day trip to another city, a movie with popcorn & soda, a sports event, a museum, the planetarium

3. Exercise

4. Pick up an old hobby

That should keep you busy for a while.

For more tips and articles by top entertainment industry career coach, The Greenlight Coach, visit www.TheGreenlightCoachBlog.com

entertainment industry coach question 236: How do I get onto a studio lot?

For what purpose are you trying to get on a studio lot? I ask because it's the first question someone will ask when you make the request of them. Security has changed considerably in the last decade.

If you want a set visit, you need to find someone who is working on the set or someone who knows someone who is working on a set.

If you want a pitch meeting, those are harder to get. It doesn't sound like you're represented or you wouldn't be asking me about this. Do you know someone who believes in your project pitch enough to get you in the door?

These are the most simplified answers I can give you in a blog with the little information you gave me.

For more tips and articles by top entertainment industry career coach, The Greenlight Coach, visit www.TheGreenlightCoachBlog.com