Saturday, May 19, 2012

Getting Jobs in Entertainment question 1166: Can I call people for work now, even though I've been out of touch them?

The person who asked me this knows how I feel about re-establishing relationships first. While that is usually the case, that would mean that you would have had to re-establish in April, before the up-fronts (which were this week. Check out Cynopsis.com for the outcome).

This person did not. This person still needs to get work though. Therefore, try these tips:
1. Acknowledge the purple elephant in the room: It's been a long time since we've spoken...

2. Research what they've been doing: I know you've been busy working on Private Practice...

3. Tell them what you've been doing: I was working on XXXXX...

4. Combine the two: It's always such a challenge to stay in touch with the people you like when everyone is working...

5. Ask what else they've been up to (this can be quick small talk, or a serious catch up)

6. Tell them why you're calling: You may have heard that XXXXX was cancelled, so now I'm looking forward to getting on a new show. Do you know of anyone who is hiring or may know someone who is?

Look, is it the ideal scenario? In my book, no. But it is what it is. And the bottom line is, it is your job to look for work and people get that. Project warmth, sincerity, and confidence.

ps: actors, start re-establishing relationships with people now, BEFORE they start hiring for episodic co/guest stars.


Friday, May 18, 2012

Getting Jobs in Entertainment question 1165: You say I'm 100% responsible for my career but I feel I can't control anything. What do I do?

True, there are very few things in the entertainment industry that you can truly control. When you look at other industries, though, I'm sure you'll find plenty of people who struggle with the same issue; the stock market, changing technology and trends, etc. Since I focus on entertainment let's address what you CAN control:

1. Your commitment: I always say you have to act like the CEO of your own company. Are you committed to the amount of work that goes into running a company? Are you committed to creating new relationships and maintaining old ones? Are you committed to investing in your business knowledge, marketing materials, and craft? If your answer is yes, you can control how much of a commitment you make in each area.

2. Your attitude: Politics, economy, natural disasters, work slow down, runaway production, others working when you're not, no agent, etc.,- you can't control. Your attitude toward all of the previous- YOU CAN CONTROL. Educate yourself on the nature of our industry, so you can have a good attitude, despite what ever the world throws at you. This is not about positive thinking, this is about taking control of your outlook regarding your career. If you're not optimistic about your future, then why pursue it?

3. Your choices: You have control over the friends/colleagues you make and keep, accepting the jobs offered to you, your reactions to what happens to you, and the decision to stay in this industry.

Our industry is no different than any other industry where there is potential to make big money. There is risk involved and in so, a lack of control. That lack of control is also the loophole that allows, unknown, unconnected, unexperienced people, to get their foot in the door and potentially make it big...

So embrace what you can and cannot control.

Thursday, May 17, 2012

Getting Jobs in Entertainment question 1164: How do you pitch a character for yourself to a show?

The question was more detailed:How do you pitch a character? Who do you pitch it to? What's the proper way and more important what's the worst way?

First, let me say that all shows are different, so the "who to pitch to" is on a show to show basis. Which is why one good resources is

1. To get TV writer/producer mentors if you don't know how to get a mentor check out The Greenlight Mentor Program.

Here are some more ideas:

2. Through an agent if you have one, who has a relationship with someone on the show.

3. Through referrals from people you know to the people they know who work on shows. Now keep in mind that many writer/producers can't listen to unsolicited pitches because if they come up with a similar character they don't want to be sued.

4. Write a spec script for a DIFFERENT show, using the character you created. So find a show and write an off beat spec that includes your character. The reason I say write a script for a different show is because, if you write a spec for their show, they most likely won't read it. But if you write a fantasy SMASH where someone trips on payote and has a "musical vision" with your character in it... could be cutting edge... or could be lame like the Glee induced Grey's Anatomy Singing episode GAG! So get some feedback from good writers before submitting it.

5. Create a video blog or webseries about your character. 

Now, as far as the worst thing you can do: Be unprofessional. No one wants a "stalker" or someone who hasn't done their research. Don't send unsolicited material. Don't do 'crazy antics' to get attention, while it's important to take risks, they should be calculated risks and representing yourself in a way that gets a producer's attention as someone he/she wouldn't want on their set is not good. Do not show up at their house or production office in your costume and start performing. Note: these are my opinions. You may hear a cooky story about someone who dressed up in full knight armor and got a job on a period piece, but these stories are 1 in a million, and I don't coach to those odds.


For more tips and articles by top entertainment industry career coach, The Greenlight Coach, visitwww.TheGreenlightCoachBlog.com

Wednesday, May 16, 2012

Getting Jobs in Entertainment question 1163: How do I work when I'm uninspired?

Maybe you don't. Maybe you're uninspired because you need a break. Or maybe you are inspired but are afraid of what will happen if you work through the fear. You reached out to me, therefore you want answers, you want more. Know what your big picture looks like. Where do you want to be in ten years? Who do you want to help? What change do you want to create? What is your purpose? Knowing these answers may not inspire you at the moment, but they keep you reaching out to people like me. They keep you in the game. Maybe that means that you take a break, or maybe it means pushing through even when you're uninspired. Just because you're not inspired doesn't mean the journey is wrong. Continue to ask for help and for answers. You may find them in the most unexpected people. And have faith that you will be inspired again.

Tuesday, May 15, 2012

Getting Jobs in Entertainment question 1162: are there big networking events that get actors, directors, casting directors together like a convention?

the question continued....."How do I find them?"

The answer is yes, Yes, YES! There are many conventions like ShowBiz Expo, Actor Fest, there are others that aren't necessarily targeted to actors specifically, like the Produced By Conference which has a stellar line-up of producers, tv writers, and more, which is coming up soon in Los Angeles.

The way to find them, is to visit actor hub-sites, likeActorRated.com which has a calendar, and Actors Ink. For a more general search you can google actor conferences, show business conferences, or writer conferences like June 2nd is The Great American Pitchfest in LA where I'll be speaking (say you're a friend of mine and get a discounted entry fee). You can get more specific by googling actor conferences in (insert your city and/or state). I'll also be moderating a panel for the SOC at Cinegear Expo on Friday June 1st. 

If you're in Los Angeles or New York, the big conventions definitely come there. If you're not, you may have to travel.

As always, with big conferences, it's important to have a strategy plan. Going to a conference and handing out Head Shots, is not a plan... it's a waste of time and paper.

Another place where all these great people come together is at film festivals. Again, you want a strategic plan for attending a film festival to make it worth your time and money.

Monday, May 14, 2012

Getting Jobs in Entertainment question 1161: How do I meet the right people when I don't live in Los Angeles?

An actor from Florida recently asked if I could help him break into the industry. I told him that I help people to help themselves and then I asked him what he thought his obstacle was to breaking in. His answer was "meeting the right people."

Because he's an actor, I'm going to answer his classification specifically, so for those of you who aren't actors, just insert your classification and ask yourself the same questions.

And just so all of you understand, I am a coach, which means, like in sports, I can coach you but I can't play the game for you. In other words, I can answer your general questions here, I offer products and services on my website for you to invest in for your career development, and beyond that, it's ultimately up to you to implement. There are no "quick fixes" or "magic bullets" to making it in entertainment. Not only must you master your craft, you must also treat your career like it's your company of which you are the CEO. And if you want to hire a consultant for your company, that's where I come in. The business tools that the CEO of Under Armour or Steve Madden (voted top small businesses on Forbes 2010 list) use are the same tools you should be using. If you don't know what they are, that's why I'm here.

Back to meeting the right people. The first thing I would have you do is get specific about "who the right people are for you." You live in Florida and you're an actor. Therefore, the right people are most likely Casting Directors who work in FL, anyone who works on the shows that shoot in FL like Burn Notice and The Glades, and other working actors living in FL.

So your first step is to create a Target List of these people.

Note: If you were thinking "the right people" are Steven Speilberg or J.J. Abrams, think again. While it would be great to know these guys, they are not the "next step people" for you.

The second step is to make the first contact to the people on your Target List. This can be done in a multitude of ways, some being: write to them for mentorship, reach out to them with a personal message on social media, through events and networking, get referrals to them from the people you know.

The third step is to create a relationship. People have to know, like, and trust you before they invest their time into being a part of your success, and to hire you, add 'care about you' to that. It takes 3 conversations to create a relationship, and I suggest you have them within a 3 month period. If you talk to someone once for two hours and they give you career changing advice and you don't call them again for 8 months, chances are they won't exactly remember you, and it's nothing personal. Successful people meet new people all of the time and if they talk to you for two hours, they're talking to a lot of people for two hours.

Now, if you want to start building relationships with people in Los Angeles or New York, you can use the same steps, they will just be done over the phone or through email. I advise that people who eventually plan to move other productions cities grow their contacts there before making the move. In the mean time, being in FL provides plenty of opportunity for an actor to work, so build your credits locally while simultaneously building your business.


For more tips and articles by top entertainment industry career coach, The Greenlight Coach, visitwww.TheGreenlightCoachBlog.com

Sunday, May 13, 2012

Getting Jobs in Entertainment question 1160: What is the difference between an agent and a casting director?

There's actually nothing the same about them except that they're both human beings.

The basic responsibility of an agents is to represent clients, setting up meetings and submitting them for jobs. In some situations they have a lot more personal interaction, they may negotiate contracts, and they can even use leverage by packaging clients.

A casting director brings in actors for acting jobs. They may or may not have the final say in the hiring process.

Saturday, May 12, 2012

Getting Jobs in Entertainment question 1159: how many scripts is enough to have written?

There's no exact number. You can have one script that is the next big blockbuster/hit pilot that sells and that's it. Just know, if you want an agent, they're going to want to know what else you have because once you sell something it's a great time for them to pitch more of your material.

If you're a television writer, you should have at least 2 spec scripts for current shows. That means if your favorite show is 24 and you have a spec for it, you had better write a new one because 24 is over... although I'm still holding out hope that Jack will come back, somehow... someway. He is Jack Bauer after all. For all I know, Touch is really Jack Bauer in hiding and Jake will uncover a terrorist blot sending Jack out of hiding! Well, a fan can hope. 

These days, agents are also interested in seeing an original pilot.

Friday, May 11, 2012

Getting Jobs in Entertainment question 1158: do you know of any good sites that show broadway auditions (including tours)?

Any time you want to research something, in this case auditions for Broadway shows and tours, the easiest way in this time of the internet is to use that site with the funny name... Google.

The more specific your search the better results you'll get. I googled "broadway show auditions 2012" and found www.broadwayontour.org/audition.htm which is for Orange County. So you may want to google "broadway show auditions 2012" with your town or New York if that's what you want to be.

Getting Jobs in Entertainment question 1280: I grew up in India and as a result English is my second language (cont'd)

"I grew up in India and as a result English is my second language. I  am looking to improve my comprehension when I read my text book...