Monday, December 13, 2010

entertainment industry coach question 648: What do I do to stay busy when times are so slow?

Business action ideas:
1. Re-establish with 30 contacts
2. Reach out to 10 business advice mentors
3. Visit 5 sets (if it's holiday time, go to 5 parties)
4. Attend 1 networking event/week and meet 5-10 people at each

Many people spend all of their time in between jobs, stressing out about being out of work and then, once they have the next job, they look back and regret not enjoying their time off.

Off time ideas:
1. Hang out with friends you've been out of touch with
2. Once a week, spend a day doing something you enjoy: the beach, a day trip to another city, a movie with popcorn & soda, a sports event, a museum, the planetarium
3. Exercise
4. Pick up an old hobby

That should keep you busy for a while.

For more tips and articles by top entertainment industry career coach, The Greenlight Coach, visitwww.TheGreenlightCoachBlog.com

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Sunday, December 12, 2010

entertainment industry coach question 647: How do I react when 2 out of 80 calls I make per day are returned?

The question continued: "I've been in Europe for a few years where people call you back immediately. When I returned to the states, I found that people prefer to use email or social media. This is very impersonal to me. What do you recommend?"

I recommend giving the people what they want. A year ago, I was struggling to get people in our industry to set up a Facebook page. Now it's how people get to know each other. You can't fight the trends. I knew it was coming, so I teach people about it. I'm actually spending my holiday getting up to speed on LinkedIn after seeing a great young speaker talk about the networking benefits on it. I always thought it was basically an online resume. I was so wrong.

So embrace the trends, and you can still get very personal with people via social media. Everything ebbs and flows. Eventually people will get tired of spending so much time at their computer and want to have human contact again or hear a friendly voice on the phone. But until then, give the people what they want. And as far as those 2 people who call you back... THEY are your "people." They are like-minded and enjoy phone contact. So those are the people who you deepen relationships with in your preferred style. The rest will be contacts whom you're not as close with, but still contribute to your career path.

For more tips and articles by top entertainment industry career coach, The Greenlight Coach, visitwww.TheGreenlightCoachBlog.com

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Saturday, December 11, 2010

entertainment industry coach question 646: I noticed you posted a link to someone's card, why didn't you post mine?

The actual question read: "I noticed you posted a link to a DP's holiday card on your Facebook Wall. I sent you a link to mine and asked you to post it, but you didn't... yet. Why not?"

This is a great question, however I can't post the link to use as an example because the person obviously thinks it was a great example to which I disagree, so it would be rude and personal to pick apart his greeting card in my blog so I won't. The good news is, you probably don't need to see his as an example because since posting Stephen Treadway's link as a positive example of a greeting card, I've received multiple cards in both photograph and video format.

First I'll tell you why I liked Stephen's and if you fit into this category congratulations, I liked yours too, but I'm not going to post everybody's.

1. Stephen is a DP, so he's all about lighting and the photo on his card had "lighting" plus was creative, and had a sense of humor. So I learned 3 things about Stephen.
2. I don't know Stephen personally, yet he put me on his list. That made me feel special, like he took the time to add me to his list.
3. He did not solicit me, he simply sent a brief, kindly worded, wish for the holidays,
4. Waaaaaaaay down he had a link to his site. It was not a solicitation, it was simply smart marketing. I was curious after seeing this photo, to see more, so while I didn't see a link, I scrolled down hoping I would find one. Yay! I did.
5. He used an email system that allowed for sharing on the internet. So I did! He made it easy for me.

Why I didn't accept the request to share your link (and believe me when I tell you, you are NOT the only person who did this)
1. You are a photographer by trade. You shot a beautiful photograph that was creative, wished me a general happy holidays, and then solicited me. You told me that you can create creative shots like this for my holiday card if I don't have one yet.
2. You told me how much it was going to cost. That felt icky, like if wasn't a holiday card at all but a solicitation for work.

Like I said, you were not the only one, I received 2 YouTube video "cards" as well in the same format. One more professional than the other. What I personally didn't like was that it started out so nice and personal and the next thing I knew I was being "sold to" me with a whole price slide and everything.

Look, I am the first to applaud marketing. And I truly hope that everyone who followed the "selling" method made money and new clients. That said, Stephen didn't have to sell me. His work made me curious enough to go through his entire website.

To you, the photographer who asked this question, if you had done a simple card, like Stephen's with a link to more photographs, based on your photo, I would have clicked on it, and there, I would have been happy to find a page that talks about your Holiday Card special.

To everyone reading this, THIS is my opinion only! It's how I like to start relationships with people I don't know. I believe thank you notes, holiday cards, and birthday cards, should be stand alone sentiments without selling.

Happy Holidays!

For more tips and articles by top entertainment industry career coach, The Greenlight Coach, visitwww.TheGreenlightCoachBlog.com

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Friday, December 10, 2010

entertainment industry coach question 645:Is it possible to shoot a studio feature 20 years out of film school?

This was in response to the blog about directing a studio feature 2 years out of film school. And while I know the person who asked the question, was kidding, it's actually a frequently asked question, so I'm going to address it.

MANY people have come to me for coaching and said a variation of these words, "I have been working on non-union films for 20 years, and I'm not going to do another film, unless it's union."

I then have to get into strong rapport with them, look them straight in the eyes, and gently deliver these exact words, "then you may never work again."

It's a harsh reality, I know, but if you don't have the relationships with studio executives, studio directors who have the clout to bring you on, or a track record that will make you sellable ONCE a film of yours "blows up," then not only do you have to continue working non-union, but you also have to spend time building relationships with the people who have the power to hire you at the studios.

Studio politics are impossible to understand if you have never been involved in the studio system. So find people who have been, who can give you perspective and advice.

For more tips and articles by top entertainment industry career coach, The Greenlight Coach, visitwww.TheGreenlightCoachBlog.com

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Thursday, December 9, 2010

entertainment industry coach question 644: I'm just curious if you're watching Top Chef All Star?

Does a bear crap in the woods? Does Rudolph have a red nose? Was Ryan Reynolds People Magazine's sexiest man alive in 2010? Is Pretty Woman my favorite movie of all time? Is Barkley my St Bernard's name? Do I love my family? In other words:

HELL TO THE YES, I'M WATCHING TOP CHEF: ALL-STARS!!!!! And I'm totally stressed out because I love so many of them!!!

For more tips and articles by top entertainment industry career coach, The Greenlight Coach, visitwww.TheGreenlightCoachBlog.com

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Wednesday, December 8, 2010

entertainment industry coach question 643: What do you do when nothing's happening and you feel disappointed?

It sounds like you're asking me personally, so I'll answer you personally. When I feel disappointed or things aren't happening at the speed I'd like them to, I get back to what got me into this business to begin with. My creativity.

Usually I'm in an acting class once a week, so that keeps me creative. I'll tell you, I've been out of class for about 3 months and I feel the repercussions! Therefore, I've been going to my other love... writing. And not writing for my business either! Strictly creative writing. I'll work on a script that I'd put down, not a big budget romantic comedy, but a smaller budget script that I could potentially produce. In the past, writing has turned into 4 produced projects.

If I'm so bummed out that the creative juices aren't flowing, I pop in one of my go-to rom coms. Without fail, Pretty Woman, The Family Man, Notting Hill, and two piles high of others, stimulate ideas, while I'm watching, or when I'm dreaming, or while I'm driving and on and on. It's not long before I'm back at my laptop typing out what the characters request of me.

That's my method. I'm sure there are others out there who may want to share, so let's hear from you.

For more tips and articles by top entertainment industry career coach, The Greenlight Coach, visitwww.TheGreenlightCoachBlog.com

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Tuesday, December 7, 2010

entertainment industry coach question 642: What exactly is a spec script?

From Wikipedia, the free encyclopedia

A spec script is a "speculative" screenplay, one that the Varietyslanguage dictionary defines as being "shopped or sold on theopen market, as opposed to one commissioned by a studio orproduction company."[1]

Spec scripts are written for various reasons:[citation needed]

  • by writers who hope to have a script optioned and eventually purchased by producers or studios;
  • by writer/directors who want to direct a film themselves;
  • by amateur writers hoping to convince a literary agent to represent them or a producer to hire them.

I would like to add that spec scripts are also written for television to show that the writer can write for other people's characters. In television you usually need multiple sample scripts from various shows to prove that if you write one great spec, it wasn't a fluke.

If you want to write a spec, and have no idea how to start, I highly recommend the UCLA extension program. If you live in Los Angeles, nothing beats the class atmosphere where you get help form your teacher and create relationships with the students as well. However, if you're not, you can take online classes and have a spec done in one semester.

For more tips and articles by top entertainment industry career coach, The Greenlight Coach, visitwww.TheGreenlightCoachBlog.com

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Monday, December 6, 2010

entertainment industry coach question 641: Why did you tell me to sign up for Cynopsis.com?

Cynopsis is about everything television related; what's been bought, who's attached, what's premiering, what's been cancelled, etc. It is a great research tool. The person who asked this is a DP/Operator, and I suggested he subscribe for the free daily email from Cynopsis because even though it's giving high level information which would seem to be important to tv executives, writers, and agents, if you are in another classification and are interested in television you must be "in the know."

For example, today in the development section Cynosis reported that "The CW is bringing another DC Comics super hero to the small screen with plans to adapt Raven into a television series. The project received a script order via Warner Bros. Television and DC Entertainment and Diego Gutierrez is on board to write and be executive producer. Raven is a half-demon known as Rachel Roth and she is able to enter the minds of others to fight crime all the while remaining dark and secretive."

If this is a project that is of interest to you, now you have some information to start your targeted campaign.



For more tips and articles by top entertainment industry career coach, The Greenlight Coach, visitwww.TheGreenlightCoachBlog.com

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Sunday, December 5, 2010

entertainment industry coach question 640: How do I create a website that will get me work?

A website is a marketing tool to help in your pursuit of getting work. It is not a substitute for creating relationships, it simply compliments the process.

To start, you want to research websites that are getting attention and model them. Because it's a marketing tool, you want to spend the money it takes to get it right the first time. Unless you have the sharp know how of do-it-yourself, save the time that you could be networking for work and hire a professional.

Next, get advice from people who look at websites. Find out what they want to see and what they don't want to see.

Finally, be sure that whomever creates the site for you makes it easy for you to update because websites are works in progress, as is your career.

For more tips and articles by top entertainment industry career coach, The Greenlight Coach, visitwww.TheGreenlightCoachBlog.com

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Saturday, December 4, 2010

entertainment industry coach question 639: Why do so many stupid films get made and I can't get mine made?

Halle Berry brought this up the other night because she had so much trouble getting funding for her film Frankie and Alice. I suggested that there be separate movie theaters: Arclight type for the $15 movies that cost $200 million to make and smaller film houses that show everything under $50 million and only charge $5-7 for a ticket. I think people want to see interesting character films, but aren't necessarily willing to spend the same 15 bucks that they would to see Mission Impossible 4.

Other than the Wayan Brothers and a few others who go after big money in the "stupid movie" category, I don't think most filmmakers or studios set out with the intention of making a stupid film.

If you haven't made a movie, it's a lot like baking a chocolate souffle. You have a recipe, yet so many things can go wrong if you're off by the slightest bit.

I'm not naive enough to think that everyone is passionate about every project they work on (I've heard many interviews where someone has bashed working on my favorite genre), but I don't believe anyone intentionally sets out to be the piece of the recipe that causes the souffle to flop.

Keep taking the steps to getting your movie made, and forgive those who've tried their best but cost you 90 to 120 minutes of your life that you'll never get back.

For more tips and articles by top entertainment industry career coach, The Greenlight Coach, visitwww.TheGreenlightCoachBlog.com

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Friday, December 3, 2010

entertainment industry coach question 638: Is it possible to be directing a studio feature 2 years out of film school?

Is it possible to be directing a studio feature two years out of film school? Anything is possible. Is it likely? Well, that depends on a lot of important factors. Here are some factors to consider:

1. Are you closely related to the head of a studio?
2. Did you make a film in film school that won Sundance?
3. Did you get at least 20 studio executives, A-list directors, and A-list writer mentors while in film school who are deeply invested in your talent and success?
4. Do you have a blackmail video featuring the head of feature development at a studio? (I don't condone this, but I had to ask)

The bottom line is there are politics in the studio system that go beyond the entertainment industry. Why do you think we see GE commercials every time we watch 30 Rock? It's not because Alec Baldwin thinks they bring good things to life.

So it's important that you get an understanding about studio politics, what it takes to get a director "greenlit," and the amount of money that gets invested in a film with a first time director.

Whatever you do, keep directing, everything you can (except blackmail videos of studio executives), learn from other directors who were successful early after film school, and stay focused on the most strategic path toward achieving your goals.

For more tips and articles by top entertainment industry career coach, The Greenlight Coach, visitwww.TheGreenlightCoachBlog.com

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Getting Jobs in Entertainment question 1280: I grew up in India and as a result English is my second language (cont'd)

"I grew up in India and as a result English is my second language. I  am looking to improve my comprehension when I read my text book...